July 4th is
embedded in my memory as the date that nearly got me my first job in
television.
I had moved to London from Wales
in the mid-Eighties and applied for a researcher’s job on The Six O’Clock Show,
a light-hearted, evening entertainment show for London and broadcast by London
Weekend Television.
I was unemployed and receiving
state benefits that amounted to £17 a week, which was as little then as it is
now. I kept my belly full by gate-crashing events and smuggling chicken
drumsticks from the buffet into my empty handbag.
My knowledge of television was
limited; my knowledge of what constituted research even less. Still, I made it
to the final rounds, when applicants were required to put together ideas for a
show that would be broadcast on July 4th. Luckily, a friend pointed
out that it was American Independence Day (until that point, in my ignorance, I
had gathered a rather feeble offering about British summers), and off I went.
To my surprise, I made it to the
final six and was invited for an interview at LWT’s offices and studios on the
South Bank. As I gazed at the huge tower overlooking the River Thames, I
fantasised about the great future on which I was about to embark in the glamorous
world of television.
Alas, it was all downhill from
there. The frivolity of The Six O’Clock Show had not been much of an indication
that it came under the banner of Current Affairs, and that what they were
looking for was a researcher who could move on to Panorama, the high brow,
mega-serious programme that revelled in exposing the foibles of institutions
and individuals.
As someone who does not like
confrontation unless pushed unjustly, the idea of door-stepping a CEO to find
out where he was stashing his employees’ pension funds and the like, was never
going to be my thing. At the interview, however, I had no idea that I was a bad
fit and so answered every question with the flippant, throwaway humour I had
seen in the show.
The lowest point was a question
about my views on The Peacock Report, the subject matter of which was the
financing of the BBC. Apparently. Unfortunately, I had never heard of it and
came out with: “There’s not enough sex in it.”
“Did you mean that in a
pejorative sense?” asked a stony-faced producer. I had even less idea what
pejorative meant than I had knowledge of the contents of the Peacock Report,
but in a gallant attempt to save face, I expanded upon the sexual aspects I
felt could benefit its findings.
The only other thing I recall was
saying that I was looking to be a TV presenter and writer, but was met with the
response: “Television is not the place for creativity and talent.”
I didn’t get the job, but had a
very nice letter saying that they felt Current Affairs was perhaps not my
forte, but they thought that the Arts department could make use of my “undoubted
talent and ability”. I didn’t get a job there, either, but I battled onwards
and upwards, a chicken drumstick kleptomaniac for some years after, until I got
my big break as TV Critic on the London Evening Standard.
So although, today, I am not a US
citizen, I celebrate not only anyone’s ability to gain independence from the
English (I wish Wales could do the same), but the date that set me on the
writing and broadcasting path I finally pursued.
My first television launch as a
critic, by the way, was for a programme about Aids, produced by Mr “Pejorative”.
I gave it a stinker. I can be mean like that.
Subsequently, we started dating.
Well, I say dating. We had one Indian meal, over which he announced that he was
a manic depressive who spent six months at a time in a darkened room, and he
was about to enter that phase now. I had barely taken a bite out of my first
poppadom.
The development of that
relationship is another piece altogether, but every July 4th I
remember the course of events my little programme plan put into motion.
So, Happy Independence Day,
America! In the tiniest of ways, I feel a part of your history, and it gives me
immense joy that I am able to spend so much time in your country, where I have
become something of an expert on the subject of your Current Affairs.
Basically, there’s not enough sex
here.
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