I Could Have Prommed All Night - Why I Loved The Prom

For the first hour, I was hooked. When a movie has the title I’m Thinking of Ending Things, and the opening voiceover begins with a character saying precisely that, you’re kind of interested. I made it to a little over half time when, quite frankly, I was thinking of ending things. 

The road trip taken by boyfriend and girlfriend Lucy (Jessie Buckley) and Jake (Jesse Plemons) seemed longer than the road. I doubt there’s a road in the world capable of accommodating the conversation that went down in that vehicle (Wordsworth? Really? You could walk the length of the Great Wall of China and not finish reciting his work). I just about managed the journey to the Jake’s parents’ house in the middle of nowhere; but having to endure it all the way back again? 

I won’t even try to explain the movie, but if you’re into pervy killer caretakers, suspicious basements, Alzheimer’s, snowstorms, and the musical Oklahoma! then this one’s definitely for you. Enjoy.

For me, though, it was a huge relief to turn to The Prom, and it made me glad I had decided not to end things. The arsenic is back on the top shelf, although I have heard it might have to come back down for Nomadland which, although apparently wonderful, has put all my friends on suicide watch. I may yet want to end things.

But back to The Prom. Based on the Broadway musical and directed by Ryan Murphy, it’s a real feelgood movie from Netflix. I loved it. Uplifting, joyous, great music, fabulous performances; it was just what I needed to bring me down from the ledge - not just from the previous movie, but from 2020 as a whole.

Its detractors have criticized the straight James Corden being cast as a gay man; others have criticized the fact that his character, Barry, is a stereotypical gay – a theatrical actor (pronounce that as act-awwwwww), with a skill for transforming lesbians into swans through his make-up and costume skills.

Personally, I love Corden’s performance and found it no less stereotypical than every other character in the movie, not to mention the plot; that’s the point. It’s a play within a play – the four leads are like the Rude Mechanicals of Shakespeare’s A Midsummer Night’s Dream: they are all stereotypical and, as actors, stepping out of their normal roles into the second play that is someone else’s story. They are performers who, within the second play, find themselves reflecting on the reality (albeit a false one) they have created in the main drama of their lives. 

There’s the egotistical, handsome Trent (Andrew Rannells), the girl-who-never-gets-the-part Angie (Nicole Kidman), and the selfish, ego-driven diva, Dee Dee (Meryl Streep, in magnificent form). Stereotypes, all. And all the more glorious for it.  

As for a straight man not being allowed to play a gay… for gawd’s sake. Corden is a huge talent, whose singing and dancing is in top form, and he also brings depth to the character’s evolvement. 

It’s called acting. Straights should be allowed to play gays without being admonished for it; anyone should be allowed to play anyone if they are right for the part. Where do we go next, if this ridiculous logic continues to prevail? Ban the likes of Hugh Jackman from something like The Greatest Showman because he’s never run a circus? Consign the entire 10 years of Frasier to the scrapheap because gay David Hyde Pierce played Niles, a straight man sexually obsessed with a British woman? 

So, I am not going to feel guilty for loving The Prom, on either front.

Stereotypes exist in real life; that doesn’t mean they can’t, or shouldn’t be, represented. Well over 50% of my friends are gay men and, yes, a lot of them working in the acting profession and/or theatre are stereotypical (so are a lot of my straight friends, come to that). So what? 

And actors act. It’s what they’re paid to do and what we pay to watch. There’s a truly wonderful speech that Dee Dee’s love interest, Tom (Keegan-Michael Key), delivers about exactly that, and it delivers the third dimension: the person outside the play, watching the play within the play, and that character inadvertently becomes the director of both, and dictates both outcomes – he’s the hero (and he’s black – there you go!). It’s a very clever device and one that has been overlooked amid the outrage.  

So, until you can find me a man who can turn water into wine, who would absolutely nail the miracle performing part of the audition, I’m happy to carry on seeing anyone play Jesus. Yes, even James Corden. 

Read more on jacistephen.com

 

2019 Wasn't All Bad

To be honest, 2019 was a far worse year for me than 2020, but then the past four haven’t been great. I lost Mum in 2019 and that pretty much made it one of the worst years imaginable, despite the many stresses that had been related to, and that preceded it (yes, 2018 was right down there with the worst of them, too).

I lost quite a few friends to Covid, and others through different causes; I saw friends and family lose the people closest to them; I watched a US election in despair as the narcissistic creature who is not worthy of the office still refuses to acknowledge defeat.

So, I’m going to focus on some good things that happened during 2020 for which I am so grateful and that would never have happened, had this ghastly plague not been visited upon us.

1. I started to talk in ridiculously over-the-top Biblical language such as “this ghastly plague not been visited upon us.” But it got me looking up what might have been worse, had we lived in Old Testament Egypt. Here goes: water turning to blood, frogs, lice/gnats, wild animals/flies, livestock pestilence, boils, thunderstorms of hail and fire, locusts, three-day darkness, death of firstborn. Try finding a vaccine for that little lot. We don’t know we’re born. See (inadvertent joke about the 10th plague)? You’re feeling better already and it’s only January 1st.

2. In July, I took up residence in Beacon, technically a city, but more of a town, 90 minutes outside Grand Central on the train. The journey itself is a joy, and I’ve met some wonderful people, particularly in the Roosevelt Bar in Hudson Valley Food Hall, where owner Marko and his family, in addition to several others, have become friends. I love having more space than in my city apartment and I enjoy commuting between the two places. I have had to learn to love green things, like grass and trees: not easy for someone for whom a lettuce poses an existential threat.

3. I brushed up on my French and started to learn Italian and Spanish (again). The Italian has been going quite well; the Spanish less so. But given that I lived in Spain for 10 years and got no further than “taco” and “Don’t kill the f*****g bull!”, that’s hardly surprising. 

4. I touched base with friends I haven’t spoken to in years – decades, in some cases. Life takes us all on such different routes, but it’s good to discover that the things you liked about people when you first met them are still there. And I healed wounds with others, not least through the realization that we waste too much time sweating the small stuff.

5. I made new friends, mainly through Facebook, which has been my comfort and joy through so many tough times. We have all shared so much, good and bad, and I have met with more kindness than I could ever have dreamed of. True, I had to sack some people who became rude or aggressive and picked on me and/or my friends, but there’s nothing wrong with separating the sheep from the goats. It’s in the Bible, so it must be okay! And I ended up with more sheep (I think they were the goodies).

6. I’ve spoken to my brother Nigel and his wife Kim probably more than we have in any other year. I love them both so much and am incredibly lucky to have them in my life. It’s been tough since Mum died and having someone so close who has been going through the same thing has been of invaluable comfort. It made me think how tough these things must be for single people with no siblings.

7. I started my own website, thanks to Jayne Gould, a brilliant designer who I met when we first worked on the London Evening Standard in the late Eighties. She is truly amazing, and I learn so much from her every day. Her main task is to stop me pushing buttons, buying up domains that I am convinced are going to earn me my fortune. I’m not sure she signed up to be my internet life coach, but she carries out that task extremely well. 

8. I’ve always loved cooking, but I did even more and took it to my YouTube channel, Jaci’s Box – another addition to my internet repertoire. I just love talking to a camera, but then I already knew that. I once did a TV show for which I was required to live a healthy lifestyle for two weeks. On day one, the director left me with a dozen VHS tapes, as I was required to deliver my feelings to camera every night. She made me promise over and over that I would comply, because most people forgot, or were reluctant to do it. On day two, she turned up, and, having talked my way through the night about anything that took my fancy, I proudly handed over the pile of tapes – all 12 of them. “They were for the fortnight!” she cried.  

9. I made a huge decision to give away most of my belongings that had been lying in storage in Cardiff. Yes, there are days when I regret it, mourning for the beautiful china and glasses that Mum bought me, the expensive furniture, the presents that friends and family gave me for special occasions. But it was the right thing to do: it’s the past. That was then; this is now. The items have gone to good homes and have helped out young people starting out in life. It’s as it should be: stuff needs to breathe and enjoy life, too.

10. I will never again underestimate the benefits of overstocking on toilet paper. 

Happy 2021, everyone

Read more at 

https://jacistephen.com

Hallmark's Easy Guide to Christmas Love - All Year Round!

Enough is enough.

Hallmark has announced that it is to show Christmas movies all year round on Thursdays. God Rest Ye, Merry Gentlemen – seriously, please; I’m begging you. Give it a rest.

It was bad enough when they started showing them on their Movie Channel on Thursday nights last August; next, when they started showing them on an endless loop in October.

It was bad enough when they started showing them on their Movie Channel on Thursday nights in August; next, when they started showing them on an endless loop in October.

And then, to add insult to injury, festive movies commandeered the Hallmark Mysteries channel.

Gone were my nocturnal treats Murder, She Wrote and Hart to Hart; I was thrust into the worst hell imaginable – non-stop jingle bells cheer. Who was the monster who came up with Wizard’s lyric “I wish it could be Christmas every day?” 

No, I don’t. One day is bad enough, as it is.

It’s hard to believe that there are so many of these movies. I’ve yet to see one twice, which leads me to the conclusion that they are making at least a dozen more while I sleep. The formula is so simple, I know I could actually write them in my sleep.

Here’s the general gist of them and the essential ingredients:

1. Small town. Heaven forbid that any of the characters might have experienced life in a big city; that would make them think twice about the only single person arriving in said town and wondering if they could do better if they moved to LA.

2. Forget a big city: no local has ever been anywhere, done anything, or set foot on a plane; no one has ever seen, let alone read, a book. Hence the excitement when fresh meat arrives – always on a bus, to give the stranger an air of “normality” (or to protect their identity, because they are, in reality, a multi-millionaire and not wanting to attract the town’s gold-digger - the rival to the key love interest and always a nasty piece of work who gets their comeuppance).

3. The small town is always snowed in at Christmas. Forget finding romance in LA; unless you can don a bobble hat and scarf in freezing temperatures, love will always elude you.

4. There is only ever one available, single person in the whole vicinity: a woman or man whose life is unfulfilled: generally, a widow or widower with a cute kid and, just for fun, a terminally ill relative. The kid still believes in Santa, hoping that he will bring the ultimate Christmas present – a new mom or dad.

5. The single person is absurdly handsome or attractive: the men usually have dark hair; the women always have long hair. They are all very white. Of course. Apart from the occasional mail man. 

6. The single person lives in a ridiculously large mansion. How they can afford it remains a mystery, especially on the income from a nondescript job in advertising (it’s always advertising or teaching) that requires them never to see clients, go to an office, or pick up the phone. 

7. Enter single person number two: a man or woman who, for no particular reason (usually that same nondescript job in advertising) rolls into town, disillusioned with life and nursing a broken heart. A veteran returning from war with PTSD (and/or an injury – both is a bonus) proves especially attractive for the one lady who hasn’t had sex in three years but is sure she can resurrect that battered, war torn organ. When she does, there will be a baby (but not yet – don’t jump the gun… which is probably what she said to herself before she did just that).

8. The couple meet and are instantly attracted to each other but have a dark secret that is revealed on Christmas Eve, thereby ensuring that everyone has a potentially disastrous time.

9. A visit to the ice rink where no one ever falls over proves the catalyst for the couple to iron out their differences, while the cute kid plays Cupid and thanks Santa for giving him/her the best Christmas ever. 

10. All the handsome, single men are obviously gay: something that always passes the heroine by, but not viewers, for whom shouting “He’s gay! Stop wasting your time!” makes the whole ghastly Hallmark viewing experience worthwhile.

And there you have it! Happy viewing!

Read more at https://jacistephen.com

HOW TO BE . . . A COUNTRY BUMPKIN (PART II) IN AMERICA

Okay, part II of my new life as a country bumpkin. 

I haven’t taken to wearing dungarees, chewing on straw and belting out Tammy Wynette numbers just yet, but my country living is still in its infancy and there is a lot to learn. 

To be honest, the motivation that led me to seek solace away from New York City was unexpected. As an adult, I’ve lived in cities all my life, in several countries. I love the flexibility that city life offers – of restaurants, night life, people. Coronavirus and lockdown changed all that, and NYC in particular feels less safe. Crime and violence have increased to such an extent, I no longer feel at ease on the streets where I once happily wandered home from my local bar at 4am (always the last order at the food truck en route). Being seated six feet apart from people when dining gives me a sense of isolation that often reduces me to tears. I am very lucky to have work and my health; despite having been sick, I now have the virus antibodies – and yes, I know they don’t necessarily last, so I err on the side of caution. I was just ready for a change of scenery, and one that didn’t involve a trek to the airport for a long flight to the UK or LA and being trapped at Minneapolis airport for eight hours.   

   

I still have my apartment in Hell’s Kitchen, but since moving to Beacon, I spend less time in the city. Being in the country brings so many benefits but is not without its stresses, too. So, here’s a follow-up to the last blog, at a time when I am learning how to adapt to this vast change of lifestyle.

1. There are no 24-hour stores in which to buy a pint of milk for my essential morning cup of tea. It is quicker to find a cow and pull on its udders it than wait for Key Foods to open

2. Everyone knows who you are and where you came from within a week. In these isolating times, it’s rather comforting. “Oh, you’re English Jaci,” I get in tones that might mean “Great to meet you”, or “So you’re the nut job we’ve been hearing about”. It seems churlish to correct people on my country of origin, and nobody understands it anyway. I can spend a 45-minute ride to the airport with a taxi driver, painstakingly explaining the geography of the UK, only to arrive at my destination with a parting: “So Wales is the capital of England?” Whaddever.  

3. People are breathtakingly nice here – so much so, that I think they must be bag snatchers, just warming me up for the big SWAG descent. In the city, I take all my belongings to the rest room, just to be on the safe side – the only downer being that the waiter thinks I have left, and I return from the rest room to discover he/she has thrown away my dinner.

4. Unlike most people, I’ve never found NYC that expensive. You have to know where to go, what deals there are to be struck, both spoken and unspoken, and this applies pretty much to every bar and restaurant when you are a regular. By comparison, the country is extortionate. I talked about upstate NY in Part I, but here’s a more detailed breakdown about my visit to Hudson, a lovely town further up the valley, where the cheapest hotel room available was $884.80 – for just two nights! SIX HUNDRED AND NINETY SIX POUNDS. A meal for two of us, with tip, was close on $300, and we didn’t even have a bottle of wine, just a couple of glasses each. I know I am repeating myself, but I’m still in shock. The story is that with the mass exodus from NYC, everyone has put up their prices, although locals tell me it’s always been this way because the assumption is that visiting New Yorkers are the ones with the dosh to throw around.

5. Hiking. Everyone’s a bloody hiker. I’m not. I walk a lot, usually miles a day, but I am not going to head off into the hills in a pair of worn leather boots, nursing a water bottle. Neither am I desperate to hear anyone’s tales of having done that. Unless I can see a Marriott by standing on a small box, I have no interest in the prospect of being trapped on a mountainside, away from civilisation and having to drink my own urine until the rescue services arrive.

6. Alcohol in my local wine shop is close on double the price of what I pay in NYC, where I have 15% off at my local store, Grand Cru, and 30% off on the delivery order I make online with Union Square Wines. The latter recently did a deal in which they offered free delivery anywhere in New York State. I ordered so much to be sent to Beacon, they must have thought all their Christmases had come at once. The number of boxes in my apartment also made it look as if all my Christmases had come at once. All 61 of them.

7. Conductors on the Metro North line I take to and from Grand Central Station are so polite and friendly, I think they must be in league with the SWAG snatchers. When I show them my barcoded ticket on my iPhone, I expect them to whip it from my hand and jump from the moving train, leaping for joy at their latest stash.

8. Restaurant staff are equally polite. After just one visit to my local Italian, Brothers Trattoria, I was greeted like a long lost relative – “JACI! MY FRIEND!” – and even though neither of the brothers is Italian, I greet them with the enthusiasm of Don Corleone after a successful hitjob. 

9. The Hudson Valley continues to astound me with its beauty and, with fall upon us, the changing colour of the leaves warms my heart at what is and has always been, my favourite season.

10. Where do I celebrate my birthday next month? That’s the big question. Most of my friends are in the city, but my new local, the Roosevelt Bar in Hudson Valley Food Hall is such a joy, I’m tempted to celebrate in the country. Country bumpkin or city girl? Decisions, decisions. 

HOW TO BE . . . A COUNTRY BUMPKIN (PART I) IN AMERICA

So, before I upset people from rural areas who might assume I am calling them unsophisticated and stupid, I am not. I have met dozens of unsophisticated and stupid people in the many cities in which I’ve lived or visited the world over; I grew up in the countryside (actually, bad example: the headmaster at my junior school told me that unless you were wearing glasses by the age of seven, you were destined to be one of life’s failures. I started wearing them at 50, you four-eyed twat).

Interestingly, 'bumpkin' was originally the name that the English had for the Dutch, whom they portrayed as small, comic and tubby. Now, that sounds far more accurate, at least in my case. Despite my having lost 10lbs in weight during lockdown, I still have quite a round middle, I am still only five feet tall, and I am still hilarious (although I suspect the phrase means being laughed at, rather than with. That’s ok, poke fun at me at your peril; my pen really is mightier than your sword will ever be, you lily-livered lummox – if you just had to Google lummox, you really need to get thee to a sword-sharpener, pronto).

Under normal circumstances, I’m not very good being surrounded by greenery; even the lettuce section in a supermarket has me running for cover behind the mushrooms. I love the Seine and the Hudson that are the heart of Paris and New York City, respectively, and have now lived for equal amounts of time in both (seven years – and still counting, in the case of NYC). I crave late nights, meeting people from out of town (bumpkins), and having the widest choice in food, drink and ambience. In essence, I like to live life in a Lights, Camera, Action kind of way (I have to be the star, by the way; back of the queue, bumpkins).

Coronavirus and subsequent lockdown changed all that. Initially the epicenter (US spelling with that word now – live with it) of the virus, the state of New York was brought under control by stringent measures that, although tough, were largely adhered to and pushed the state, in particular the City, right down to the bottom of the infection and death rate chart.

But the civil unrest that came following the death of George Floyd has made the City feel less safe; also, hotels being utilised to house the homeless brought a whole new set of problems. I have utmost sympathy with the dispossessed and disenfranchised in any society, but these hotels have become, in some part, safe havens for people who, at night, go out to hound diners forced to eat outdoors, or anyone just out for an evening stroll. Times Square is a hideous theatre of hypodermic syringes. I’ve been harassed for money and have been verbally attacked for being white (never small, comic and tubby, funnily enough).

So, I started to look for an escape in upstate NY – a place I did not know well, having visited the smallish city of Beacon just three times. I returned to take another look in July. Indoor dining had already resumed (NYC doesn’t get it until Wednesday this week, and even then, at only 25% capacity), people largely obeyed the compulsory wearing of masks, and life had returned to some semblance of normality.  

I decided to split my time between NYC and Beacon. I’ve spent the past 25 years living in at least two places at the same time and while I know it’s an extravagance, I prefer to spend my money on that rather than on clothes, shoes, et al. I am not good staying in hotels, where loneliness consumes me, and the number of people who die in hotel rooms, either by their own hand or by accident is never a surprise to me.

I need my nest . . . well, nests . . . and so installed myself in Beacon, in two-bedroom, two-bathroom apartment (much cheaper than my place in NYC and $1700pm cheaper – though not so cheap when you decide you need both). I have a balcony with a view of the Hudson, the same as I have in Manhattan, and am slowly adjusting to the pace of country life.

My life has changed in oh, so many ways, and this is going to take a follow-up blog to be able to tell you how. But let’s start here, with just a few thoughts about my new country life.

1. There are no single, successful, heterosexual men looking for a Dutch-like small, comic and tubby woman of a certain age, just as there were none in NYC, Paris, Wales, London, Marbella, Los Angeles. I am fast running out of continents and have now, officially, given up.

2. Why would I go apple picking? There is a thing called a supermarket, where they wrap fruit in bags for you, thereby allowing you more time to spend at the bar not picking apples. And I hate apples. Well, maybe hate is too strong, but they seem to take a lot of effort: peeling, getting the maggots out, de-coring them. It’s why I never got into drugs. How can anyone be arsed to go through the palaver of rolling, sucking, injecting, or whatever they do? A ring-pull on a can of Stella is as much work as I ever want to put in of an evening.

3. I am even more of an All You Can Eat Buffet for insects in the country than I am in the City. In NYC, mosquitoes munch on my ankles; in the country, the mosquitoes can’t get near because of the fleas that seem to have a lease on everything if it stands still long enough.

4. Everything in the country is stupidly expensive, with upstate NY taking advantage of the mass exodus from the City and charging people stupid money: the cheapest hotel in Hudson last weekend came in at $484.80 – for one night. Dinner was between $200-$300 for two, with just a couple of glasses of wine, not even a bottle.

5. Enjoyed train journey back to the City.

More thoughts to follow in Part II. Right now, too busy peeling apples.

     

 

 

 

 

 

 

SERIAL KILLERS AND DOWNTON WITH NOODLES

 

You can never find a plumber when you need one. And then, what are the chances, when you have a blocked drain, that an expert turns up and uncovers evidence that you’re a serial killer.

The irony in this story is that Dennis Nilsen, the subject of Des (the nickname Nilsen gave himself), is the person who calls in the drains man, claiming the bones of a takeaway are the guilty party in the blockage. It’s all over when the police ask, ‘Where’s the rest of the body?’ and Nilsen says, ‘In the cupboard.’ Suffice it to say they didn’t find a side of fries. 

   

Based on Brian Masters’s book, Killing for Company, the three-parter begins by painting a picture of Britain in 1983 and, in particular, London, where the streets are full of vulnerable homeless who have come to the city in search of a better life. Some of them might have found it, had it not been for the seemingly ordinary civil servant working in Kentish Town Job Centre, picking up boys and men in bars and taking them home to strangle or drown them and tend their corpses. An estimated 20 victims met their gruesome ends in his two apartments.

   

This is a true horror story that David Tennant (Nilsen) makes all the more chilling in his extraordinary, understated portrayal. The calm and ease with which Nilsen initially speaks with the police is downright creepy in Tennant’s performance: the fixed stare, the ego quietly enjoying being centre stage, his bizarre relationship with Masters and what might be written about the crimes. ‘I just don’t want those poor men exploited,’ he says, during their first meeting. ‘I’m here to comprehend,’ says Masters.

   

It’s a long time since I read the book but remember being struck by what, as a gay man himself, seemed to be Masters’s morbid and, at times, almost salacious fascination with Nilsen’s world. It is a great read, though, and one that delivers a far deeper, more complex exploration of the subject than the drama, which to me should have focused more on the perspective from the biographer’s point of view, rather than that of the police. 

Despite the fine acting performances, the cops’ story is just one of missed opportunities, bungled investigations and a result that saw Nilsen convicted of only six murders. Unable to agree, the jury had to deliver majority verdicts, which makes you wonder who was roped in for jury service back then. How much more evidence did they need? Did they really think Kentucky Fried Chicken was the underlying problem?

   

Why did Masters continue to visit Nilsen for ten years after his conviction (Nilsen died in 2018), and did he come any closer to comprehending what the police never stood any chance of doing? Read the book – it’s as fascinating an insight into the biographer as it is into the killer, but in the drama feels more like an adjunct to the story rather than the pivot of it. At least the drains man has his 15 minutes of fame when he poses for the press; I bet he never had to sign on at Kentish Town Job Centre. 

   

It’s yet to be revealed what The Singapore Grip is in the drama of the same name, but if you really want to know, ask a gynaecologist (let’s just say Brian Masters won’t be the definitive voice on this).

   

Based on J G Farrell’s 1978 novel, it takes place in the early 1940s. Singapore is under colonial rule, the British are about to surrender to the Japanese army, and Charles Dance is running around half-naked.

   

I never thought I’d be seeing so much of Mr Dance’s naked torso in my lifetime. Recent pictures in the press have shown him frolicking in the sea with his new Italian producer girlfriend, 20 years his junior. Now, here he is again, tending his roses as Monty Webb, who for some reason needs to be topless and in a sarong. Expect the Charles Dance Christmas calendar this year.

   

The drama is very ITV Sunday night: Downton accents, pretty women, and a bit of racism thrown in for good measure. Webb takes in Vera Chiang (the proverbial mystery, possible dodgy foreigner, played by Elizabeth Tan), when she is threatened with deportation back to China. Quite why he does this is anybody’s guess, but her first action upon arrival is to rush towards the torso. She doesn’t get much chance to do anything else, because Webb has a stroke and dies.

   

There’s the proverbial villain in the form of Joan (Georgia Blizzard), a nasty piece of work and daughter of Webb’s equally villainous business partner, Walter Blackett (David Morrissey). Webb’s son, Matthew (Luke Treadaway) now inherits daddy’s fortune, so Webb is in cahoots with his daughter to get them hitched.

   

How could it all go wrong? My guess is that Matthew will fall for Vera, which will be one in the eye for that uppity Joan. 

Downton with noodles.

   

It’s watchable enough, but gripping it is not. Not in the Singapore sense. 

Or the Dennis Nilsen sense, come to that.