The kindness in a plate of
cheese moves me to tears.
Well, not to tears exactly, but more tears than I
have already been crying.
Tears that began several weeks ago and, like a punctured
well, burst forth accompanied by feelings of desperation, fear and what I can
only describe as lost-ness.
And here I am, sitting in a little Spanish bar, tears
pouring again, and the waiter who has been encouraging me to eat, has placed three
pale, slightly sweating triangles of cheese in front of me.
He has failed to
entice me with the peanuts and the olives and I have politely rejected his
encouragement to have something to accompany my wine; but these three perfect
slices, accompanied by ten tiny finger biscuits, produces another geyser.
I
speak no Spanish; he speaks no English; but the language of tears is universal.
He gets it. And I know that he gets it. Sympatico. I say Grazias for his sympatico.
It is a word I think may be just about right. He puts his hand to his chest,
smiles, and knows that he has done something good.
There are many things that are behind my tears, which
some people simply put down to being menopausal. But to be honest, I’ve pretty much sailed
through the M stigma, physically, and am resisting taking any sort of hormonal
treatment when I still have more energy than anyone I know in their twenties.
But there are other big things going on. Last week, my
brother got married for the first time at the age of 50. I am very happy for
him and I love my new sister-in-law, but I would be a liar if I did not confess to a slight feeling of loss. My baby brother, to whom I have always been
close, has moved on to a new role as a husband. He is also starting a new teaching
job in September: one that he richly deserves and which I know will bring him
more happiness than he has recently experienced.
All change.
Then there is my dire financial situation. And I am
not even going to begin boring everyone about that.
Suffice it to say, that suddenly, I feel on the
scrapheap. Having no partner, never having been married and with no children, I
feel very alone. The papers and magazines I write for now turn to younger,
cheaper people to fill their pages; the cult of celebrity has ensured that
anyone who can comment upon spotting Cameron Diaz eating a sandwich makes
headline news. People’s painful relationship and marital break-ups are paraded
as sport, in which readers are encouraged to respond as a lynch mob, chomping
at the bit to burn whom they have been led to believe is the “guilty” party, at
the stake. It’s not just that I am no longer asked to write anything; I really
don’t want to write about this stuff.
I don’t want to be part of a culture that sits in
judgment of people who, heaven forbid, deign to fall out of love; one that
castigates people for being too fat, too thin, too beautiful, too ugly; I don’t
want to subscribe to a world in which people are routinely slaughtered for the
crime of simply being human.
I have a heavy heart. I am healthy, I have the best
family and friends, without whose support I would not be here today; but when I
set out in my twenties, I wanted to take the road less travelled by – and, the
truth is, I didn’t. Or, at least, I did for a while.
I left teaching to pursue a career as a writer and,
subsequently, I published poetry, short stories and, in 1990, my first novel,
Definitions of a Horse. Then I became side-tracked. I became a journalist
because, quite simply, it paid better. But it came at a cost. I remain
immensely proud of my work as a TV critic, writing about a medium for which I
continue to have immense passion; but criticising the work of others, when all
you really want to do is create, must inevitably, little by little, destroy
your soul.
I wanted to be an actor. I was a member of the first
National Youth Theatre of Wales in 1976. I am a trained singer and dancer.
There is nothing I love more than standing up in front of a crowd with a
microphone in my hand. So why did I choose to stand in the wings, passing
judgment on the efforts of others?
For a start, I was told I was too short to be an
actor. In Wales, during the Sixties and early Seventies, there was only one
path that girls in the small part of South Wales where I grew up were
encouraged to take: teaching. No matter how much I tried to pursue my true
love, I was always dissuaded and, finally, went into teaching. I left after two
years and moved to London to become a full time writer. My first job was TV
Critic on the London Evening Standard, and I will always be grateful to the
late John Leese who gave me an opportunity and took a risk when no one else
would.
I have no doubt that there is absolutely a place for
critics – if I did not value it, I would not have done it for so long. But it
eats away at you: the knowledge that you are on the attack; that nobody you
criticise sets out to do a bad job; that all any actor, writer or performer
wants to do is make a difference. When you believe they get it wrong, as a
critic you have to say so and, when people take note and respect your opinion, it’s
a feeling that sugars the bitter pill of your job.
But then there comes a point when you realise that
every moment looking for holes in the work of others is another moment lost to
the work you really want to do. You’re past 50. There’s a new generation your
employers want and, no matter how good you are, they want new names, new faces.
Unlike America, where experience and knowledge are valued and respected, in the
world of the UK media, our culture is one of out with the old, in with the new –
and certainly as far as women are concerned.
Change is good. It’s life. The secret is probably looking
at what you have on your side and adapting it to each new set of circumstances
you face.
As I sit looking at my three rather helpless triangles in the Spanish bar, I decide to
eat.
I moved my cheese.
As only I can.