Friday, January 15, 2021

Hold Fast - in the City That Never Surrenders

The phrase “the city that never sleeps” has never rung less true than during the pandemic, particularly during the early stages, when NYC was the epicenter of the crisis. But even while it appeared to be in a deep slumber, I liked to think of it as just dozing. Resting. And, this being New York, I was never in any doubt that it would wake from its slumbers. It is the city that never surrenders.

Just as we saw after 9/11 and Hurricane Sandy, this is a place in which people really step up in times of crisis. Even in normal times, in six years of living here I have discovered nothing but kindness in a city in which people really do look out for each other. 

I have never come across the alleged rudeness of New Yorkers; step off London’s Heathrow Express at Paddington Station after landing in the UK – you’ll meet more rudeness in minutes than in a year of being in NYC.

Broadway is dead and, as a result, the surrounding bars and restaurants are suffering big time, too (and it’s not just in the city). Constricted to outdoor dining while the rest of the state enjoys indoor hospitality at 50% capacity, it’s a struggle to attract customers as the East Coast temperatures plummet.

And yet… and yet… owners have not only stepped up to the mark but well over it.

Take my local hostelry, Hold Fast. Smack bang in the middle of theatreland on 46th and 9th, it was opened in 2017 by partners Shane Hathaway, Jason Clark. and Jason’s wife, Kiara, and is a regular haunt not just for theatre goers but locals. 

It responded quickly to takeaway menus, including themed cocktails relating to the crisis (I particularly liked one named after the New York State Governor, Andrew Cuomo). 

When indoor dining briefly resumed last year, I had my birthday dinner there. They have a good choice of wines (including excellent European ones – highly unusual in NYC - and the food menu is ever-expanding and changing. 

My current favorites are the burrata in a tomato sauce, and the three-bean chilli (it is compulsory to order food with drinks in New York).

They have transformed their outdoor space into a safe, socially distanced dining area, complete with screens separating tables, and heaters. Even in January, it is surprisingly comfortable.

Now, they have launched the most extraordinary initiative to help artists, over 50% of whom found themselves out of work when the entertainment industry shut down.

It’s called Hold Fast to the Arts and asks people to support the performing arts to sponsor an eligible individual’s dining experience at the restaurant.

Brilliant. With a minimum $40 sponsorship, it ensures not only the chance to eat out for those struggling financially but sends them a message that people really care and that they remain a part of the community, even though they are unable to perform. 

We are holding fast in a time of crisis.

You can read more at holdfastnyc.com/holdfasttothearts and, if you’re in the area, do pop by. It is the most welcoming place in the city, and the creativity with which Jason, Shane and Kiara have adapted their skills (Shane is also a fabulous photographer and has taken some incredible shots in this bizarrely transformed environment) is both admirable and heart-warming.

If you can contribute something, great; if you are in need and would like to be a recipient of a meal, don’t be too proud to say so. All details are on the website. 

We’re all in this together.

#HoldFast


Thursday, January 7, 2021

60 Things Not To Do After 60

DO NOT...

1.    Regret anything. You’re too damned late and you’ll be dead before you get the chance to put it all right.

2.    Queue, unless you can blag your way to the front. Anything you want to see is on the telly or in a book.

3.    Try to understand men. Stop. You never will. They aren’t just from Mars; they are from another solar system yet to be discovered by real humans.

4.    Get your tits out for the lads. You should have stopped doing that 20, or even 30, years ago. No one wants to see them anymore.

5.    Believe in God. He ain’t there.

6.    Drink and text. You can’t hold your alcohol as well as you used to, and you have never got to grips with your iPhone touchpad screen.

7.    Run up an escalator that is going down. You won’t make it. Trust me on this one #paramedicsalert.

8.    Get in touch with exes on social networking. They really have moved on. You should, too.

9.    Take up ice-skating. Are you nuts?

10.  Tell the doctor how many units of alcohol you drink. They really do know that 13 means 30 (plus).

11.  Tell anyone that William Hartnell was the best ever Dr Who.

12.  Sleep on the sofa because you can’t be arsed to walk 10 feet to the bedroom.

13.  Be lazy, drunkenly heading for the bathroom in the middle of the night. The white telephone table in the hallway only looks like the toilet; you have several more feet to go.

14.  Think that topping yourself is the answer to everything. You’ll never find out whether it really was.

15.  Lose touch with your oldest friends. They’ve stuck with you this long, so you can’t be all bad.

16.  Talk to yourself on the street. Nobody likes a loony.

17.  Think you will ever be rich. You won’t. You have left it way too late.

18.  Have Botox. You will look like a pastry case with no filling and people will wonder why you are smiling when they tell you their entire family has been killed in a plane crash.

19.  Buy a dog. It could well outlive you and probably have to be put down once it has paid its respects by urinating on your grave.

20.  Get married – unless there is loads of money, loads of sex, or a Green Card in it for you.

21.  Take advice from people. They are only ever talking about themselves.

22.  Think that life was so much better when you were poorer. At least you get to cry over a glass of champagne now, rather than tap water.

23.  Wear a bikini. You will just look like an underdressed tree trunk.

24.  Think you can make someone fall in love with you. They will or they won’t. It’s that simple. And that complicated.

25.  Start looking up every ache and pain on Google, or you will think you have five minutes to live.

26.  Check the gray in your pubic hair. It will really depress you.

27.  Check the gray in any lover’s pubic hair; that will depress you even more.

28.  Believe a 20-something year old when they say they are attracted to your maturity. For “maturity,” read “no strings-attached leg-over.”

29.  Go platinum blonde in an effort to look younger. You will only end up looking like Myra Hindley’s less attractive sister.

30.  Contemplate any relationship with a man unless he is one who will put out the garbage.

31.  Accept lifts from strangers. You never learned that one, did you?

32.  Try to win a goldfish or coconut at the fairground. You never did during the first five decades of your life, so what makes you think your luck is going to change now?

33.  Buy a gun. You will only end up using it and end up in a box six feet under, or on Death Row.

34.  Say that you aren’t going to cry the next time you watch ET. You will. Keep a very large bucket next to you at all times.

35.  Watch Titanic. Life really is too short for that. And you know the ending anyway. It sinks. See? I’ve saved you the trouble already.

36.  Believe anything anyone ever tells you about penises. Especially men. And lesbians.

37.  Trust the soothing voice of a pilot when he says you are experiencing “a bit of turbulence.” You are closer to death than you know.

38.  Go to bed angry, if you're single. There is no one else there. You're on a hide into nothing.

39.  Ever try to help the police with their enquiries. You’re a suspect. You probably did it, but have forgotten.

40.  Start watching the Columbo marathon – because it never stops, and life as you know it will be over forever. You will even start wondering if this is what you should have been doing your entire life

41.  Say the C word in the USA, or, if you speak Russian, the P word. “Prick,” however, is apparently perfectly acceptable.

42.  Breast-feed in public. Especially if you don’t have a baby.

43.  Start wondering if you are gay because you’ve never been married. You opted quite early on which side of the Penis vs the Furry Cup argument you were on, and there has been little evidence to prove you were wrong.

44.  Give up your seat to anyone on public transport, no matter how old, pregnant or infirm they are. You’ve been through shit, too; you’ve earned your spot.

45.  Try to rescue anyone appearing to be in trouble in the sea. They are waving, not drowning. You, however, will drown.

46.  Keep checking your phone. He hasn’t called. Never will.

47.  Think too much. It’s never got you anywhere.

48.  Lend anyone money. Borrow to your heart’s content, but don’t lend.

49.  Get into debt. Oh, too late.

50.  Start making lists of how your life has changed since hitting 60.

51.  Use a battery-operated device to shave your face and eyebrows when you've been drinking. You will end up looking like a turnip.

52.  Attempt to read Salman Rushdie again. You failed many times before. At this age, you will definitely be dead before making it to page 10 of any of his books.

53.  Cry yourself to sleep. You are dribbling into your pillow so much these days, you will be woken by your head thinking it is going down with the Titanic and nursing two baked potatoes under your eyes.

54.  Spend time with anyone who begins a sentence "You're gonna find this funny" or "You're gonna laugh at this." You won't. 

55.  Think you can become a web designer. Life - your life, certainly - really is too short. The only thing you have time for is to choose the font for your coffin lid. Pay an expert. 

56.  Try to pull out a stubborn champagne cork with your teeth. You won't have those teeth for much longer; enjoy them while you can.

57.  Stand on your office chair with wheels to change a lightbulb/smoke alarm battery. It will not end well.

58.  Go hiking alone. You will end up stranded for days on a mountainside, having to drink your own urine until the rescue services arrive.

59.  Tell young people that everything was better in the olden days; in the 21st century, they already know that.

60.  Worry about a global pandemic killing you off; it'll never happen... Oh, wait...


Wednesday, January 6, 2021

Olive and Mabel - Canine Superstars

They are the internet stars of lockdown. A seven year old black Labrador named Olive and a three-year old yellow Labrador named Mabel. As humans the world over struggle to come to terms with the new normal of living under the constraints of a deadly virus, the canine duo continues to entertain us through their videos, courtesy of owner Andrew Cotter. Eating, playing, frolicking in water, even just sleeping – we cannot get enough of the dogs who have made headlines across the world. Spain, Germany, Canada, the USA – presenters, reporters and newscasters have given thanks for the joyous respite in a world in which there is currently very little to laugh about.

And now, published at the end of 2020, there’s a book – Olive, Mabel and Me, featuring stories and photographs of the world’s favorite canines, along with Andrew, the Walt Disney of the operation.

Andrew is a freelance sports commentator, whose day job came to a halt when the virus put paid to sporting activity. Like so many whose income hit the pause button, he turned to other activities and took solace in his two faithful companions, adapting his commentating style to report on their day to day lives. 

It began simply enough: filming the dogs eating, with a voiceover analyzing their different techniques as they raced towards the finishing line that was the consumed meal. Quickly, it went viral, and the follow-up video Game of Bones quickly amassed ten million hits on Twitter – and counting. Today, Olive and Mabel are international superstars, in no small part due to Andrew’s wry humor, brilliant observational skills, and an affection for and understanding of these two adorable creatures. No one is more surprised than he at their phenomenal success.

“It was just that absolute oddness of time that people were so focused on needing a laugh or something to distract them from all the seriousness that was going on; people were also more focused on the internet and social media, but I had no idea it was going to take off like it did.” Ryan Reynolds, Hugh Grant, Dawn French – celebrities the world over joined in the chorus of approval; lyricist Tim Rice, also an avid dog lover, even re-wrote the lyrics of Don’t Cry for Me Argentina as a homage to the dogs.

For Andrew and his long-term partner Caroline, Olive and Mabel have been central to their coping in lockdown. “I’m not someone who goes to parties or the pub anyway, so it didn’t bother me initially, but then as it goes on and on, you realize that no matter how misanthropic a person thinks they are, we all need social interaction. I think it would have been very difficult without the dogs, and they are therapy, even if they’re just sitting beside you and you’re stroking them; you have that little anchor of normality, and you can lose yourself in the silliness of dogs. They are also very empathetic creatures and instinctively know when you’re feeling down or happy.”

It’s not just at home that Olive and Mabel have been delivering their unique brand of therapy; Andrew has been inundated with thousands of messages, e-mails and letters of thanks from people telling him how the dogs have helped them in their isolation and stress. “That’s been the most extraordinary and gratifying part of it. You see what it’s meant to people just to have a laugh. They might tell you of a terrible day and say how much it meant to laugh for even 90 seconds. I had one letter from someone who said their mother had dementia and she took so much joy from the dogs. I’m not sure why I did the videos or continue to do them, but when you get a response from somebody and know you are making a difference for even just a short time, it’s humbling.”

As a private person and someone who admits to lacking social skills, can bearing the weight of others’ problems feel too much? “I don’t want to say it’s overwhelming, because there are people being truly overwhelmed by a horrible time at the moment. You have to stop yourself and say I’ve got it pretty good compared to a lot of other people and you have to keep it in perspective. You want to do something for every single person, but you can’t because there are 5000 messages coming in, so you pick up a few and hope that you made a difference.”

Having grown up around dogs, it was inevitable that Andrew would have his own and, when the BBC moved its sporting operations from London to Manchester, he and Caroline moved to Cheshire which, with its closer accessibility to the countryside and the Scottish mountains, made owning a dog a more viable option. He recalls being totally besotted when the picking up the puppy. Having considered different breeds, they decided upon a Labrador because, as Andrew says in the book, “They are just outstanding dogs . . . relentlessly optimistic and friendly, good tempered and handsome. Slightly greedy, that’s all” (just watch Olive, the gastric equivalent of Usain Bolt).

Four years later, they decided to have a second dog, and along came Mabel, the same breed but a very different creature altogether. “As puppies, the differences are less clear, because all puppies are mildly idiotic. Mabel, however, is still very puppyish and she’s always wagging her whole body. I don’t know how many times Mabel wags her tail in a day, but it must be over 10,000 times – her 10,000 steps. Actually, it’s probably 10,000 even before 10am.” Both names were chosen because Andrew likes dogs with two-syllabled (‘easier to call them’) human names, especially older sounding female ones.

Olive is not a great tail wagger and Andrew sees his own personality as more akin to hers. If Andrew finds something funny, he says he might raise an eyebrow. But then Olive is more of a barker, Mabel a talker and more clingy. Both dogs love the outdoors and especially trips to the solace of the mountains, Andrew’s other great love; it’s nevertheless an area of life that reveals the very different personalities of each dog. “The weird thing about Mabel – well, there are many weird things about Mabel – is that she seems, quite often, as if she’s worried about it. She’s worried about things in general – probably about everything she’s read in the papers. She’s much more often to be found around my legs, whereas Olive will be off wandering. Olive is also a natural destroyer.”

Did Olive feel usurped by her younger companion? “Initially, it was what always happens when a new dog is brought in: this is not normal. I’ve had this whole place to myself for the last four years and now this thing has come in. But within a few days they were getting on famously and playing together.”

As the younger dog, Mabel looks to Olive for guidance, but is not averse to branching out on her own. “They’re not allowed to come upstairs unless invited, and whereas Olive will wait patiently, Mabel will invite herself up, creeping like a Ninja and just appear with a look of I know I’m not supposed to be here but I’m risking it anyway. But then if Olive wants something, she’ll take it. In this room, there is only one dog bed and if they both want to join me, Mabel will stand around, about to take the bed, and Olive will just come in like a missile, take it and curl up with Do Not Disturb air. Olive is also slightly calmer. She can be on her own slightly more easily than Mabel, who has no grasp of social distancing; she just likes company and is a little bit concerned for humanity.”

The chapter of the book titled Irrational Beasts hilariously outlines other differences between the dogs. Neither likes the vet (and they both now know how to spell it, having clocked what VEE-EE-TEE means), and Olive has an aversion to certain surfaces – especially the VEE-EE-TEE’s floor. She also dislikes mechanical objects in the sky and other people on a mountain. Mabel, bizarrely, doesn’t like the beeps of a GoPro camera. 

The warmth with which Andrew talks about his dogs and the limitless love he has for them is as palpable in the book as in conversation; but how does it differ from the love one has for humans? He thinks long and hard before answering. “You feel very protective. Dogs have many, many abilities, but they are still totally dependent upon us for care. I can’t bear the thought of them being in distress or pain, or whatever it may be, so I suppose that’s the feeling.” 

It’s also there by the bucketload on his YouTube channel, where he posts the videos. They look effortless, but there’s a lot of work in the fantastic editing, done by his friend and colleague Tony Mabey. They have also attracted thousands of requests from people asking him to do commentaries on aspects of their own lives – including one request from a car wash company, wanting his dulcet tones to promote their business. 

His beautifully timed delivery and tone make it clear why he is also a first-class sports commentator (one person, oblivious to Andrew’s day job, wrote to suggest that he ought to try his hand at being one). His ability to imbue Olive and Mabel with human-like qualities is also so heartwarming, it’s easy to understand their instant popularity. Having quickly moved away from sporting style commentaries, he started to put the dogs in situations the rest of us encounter in our everyday lives. 

The Company Meeting is hilarious – Olive sitting calmly and wagging her tail upon hearing that management say she’s a very good dog, Mabel’s job under threat because of lack of focus and “the inappropriate stuff with Kevin the Doberman from accounts” (every word Andrew chooses is perfect: “If only she didn’t get such good results,” he sighs, in relation to Mabel’s attitude). Another sees the pair engage in online dating and lying in their resumes Andrew is examining online: “And you starred in the stage version of Marley and Me’ he says, incredulously, to Olive. “As what? As John? What, the owner?”

Since lockdown has eased somewhat, the trio have taken to long hikes in the mountains once more, places where Andrew is most at peace. Although not a religious person, “Quite often, in the mountains,” he says, towards the end of the book, “you don’t have to believe in anything to find something.”

It is impossible not to feel a sense of awe in these descriptive sections that take the reader on adventures with the trio; they make you want to grab the nearest hiking boots, buy a puppy and head for the hills. “We all feel shut down at the moment; it feels crowded and claustrophobic, and the chatter is constant, whether you’re hearing the news or reading the papers. I wanted the book to be an escape, not just into the world of dogs, but an escape into that quiet silence as well . . . just wide, open mountain around you – and maybe just a dog.” 

Ownership of any pet inevitably brings with it the knowledge that you will outlive them. In many wonderfully written, tender and poignant moments in the book, there is the underlying dread of enduring that loss, but “It is the deal we strike and the pact we make” and, ultimately, “Everything is the better for them.” He says that from the moment he had Olive as a puppy, it was tinged with sadness that it wouldn’t be permanent. “I wish I could have you forever – but that’s just the difficulty of having dogs. You’re always thinking this is going to be too short, but they’re just getting on, doing dog things, quite happy with life.”

He wouldn’t describe himself as a miserable person, but there is an exquisite melancholy in the book’s conclusion, reflecting on the bizarre and difficult year the world has encountered (“the peaks unclimbed”). It is a time, however, in which he has undoubtedly benefited from the dynamic duo – the “stability and normality” they have brought to life in uncertain times. “We’re all at a bit of a junction, aren’t we, and who knows which way it’s going to go. But I’m feeling optimistic. The curve of human development is up and although we’re in a bit of a trough at the moment, eventually we’ll come out of it and be on the way up. So that’s my Labrador thought for the day.”

So, if he were to do an Olive and Mabel style commentary on himself, from the outside looking in, right now, how would it go? There’s a long, contemplative pause. “Hmmm. Here’s this middle-aged man, slightly confused, seems a little bit grumpy but desperately trying to pick things up and find a bit of work, and there he is going to his dogs once again. Why? I don’t know, but he needs them, they need him and it’s a symbiotic relationship and they can’t be without each other. And who knows what the future holds. But I think as long as he’s got Olive and Mabel,  they’re going to be all right.” 

Woof woof to that. 

Olive, Mabel and Me is published by Black & White Publishing, $21.49 (US), £20 (UK)

Tune in to Olive and Mabel at mrandrewcotter on YouTube, and keep up with @mrandrewcotter on Twitter

Tuesday, January 5, 2021

Donald Trump: The Orange Blob From Outer Space


The Blob. A horrid orange lump of an alien comes from outer space to wreak havoc upon the lives of a small rural Pennsylvania town. The 1958 science fiction-horror film (re-made in 1988) was distributed by Paramount Pictures as a double feature with I Married a Monster from Outer Space. Prophecy?

Sixty-two years later, it’s hard not to think the film was exactly that. In 2016, the orange blob was elected President; Melania found herself married to it. We have been living that double feature for four years.

I decided to come to America on the eve of my 50th birthday, November 4th, 2008, which was the day Barack Obama was declared the next President of the United States. I so wanted to be part of history; to live in a progressive country that had the foresight to elect a black man to the highest office in the land. I cried tears of joy and, just weeks later, found myself in Los Angeles at the start of an adventure that sees me still here 12 years later.

In 2016, I found myself sobbing in a bar as the election results were announced. The orange alien had descended and was among us. In the film, the blob grows redder as its power increases and, since Joe Biden was announced as the winner, the orange one’s redness has increased to the extent he looks as if he’s on the point of self-combustion. If Covid didn’t get him, his internal anger eventually will. The heart can take a lot of beating from external forces; what it can’t sustain is being its own punchbag. 

I recall seeing The Blob in 3D – the first time I had ever been given 3D glasses to wear in the cinema – but nothing could have prepared me for the three-dimensionality of the past four years. Can this be real, I have asked myself over and over, reading Trump’s deranged rants as he conducted foreign policy on Twitter? Did he genuinely not care about the American people as they faced the terror of Covid, the monster blob, whose chief job was maybe to take out the lesser blob (and succeeded)? Did he really refuse to recommend mask-wearing, say 13 times that the virus would just go away, and it would be “beautiful” – then have the audacity to say that the development of a vaccine happened on his watch? No, Mr Blobby: it happened in spite of you, not because of you. 

But now, there is hope, and we can look forward to that future feature: Return to Outer Space. We’re not quite there yet. At the end of The Blob, the creature is frozen and transported to the Arctic, and Dave says that although the monster is not dead, it will at least be stopped. “Yeah,” says Steve, “as long as the Arctic stays cold.” As the blob is lowered onto an arctic ice field, the superimposed words “The End” morph into a question mark.

Climate change could yet see the orange alien descend upon us yet again.      

Sunday, January 3, 2021

Love, Loss, and Gratitude

 The cliché goes: “It’s always around Christmas.” 

Illness. Death. Heartbreak. But the truth is, “it” is around us just as much every other day of the year – and especially so in 2020; it’s just that at Christmas, it feels more poignant because it’s a time when we are all supposed to be feeling jolly with the yo-ho-ho-ness of it all – and this year, it was hard to summon up the tiniest yo-ho. 

Christmas in adulthood is inevitably different from how we felt as children; it doesn’t mean that we are incapable of joy, but pleasure comes tempered with the knowledge of corresponding sadness.

I lost my father just after Christmas in 1990 and my mother in April 2019. During 2020, many other friends lost a parent, and so many others the world over lost loved ones to Covid. Death felt like the unwanted guest at the festive dinner table this year.

It is hard to think of anything new to say about the one thing that every living creature has in common. We are all born, and we will all die - there you go, another cliché, but no less poignant for its being so.

But it is in times of loss that we find comfort in clichés: they are a uniting force in a world that continues to separate us in so many ways. Clichés are the emotional levellers: the things that strip us to the core and reveal that, at their deepest level, our raw, primal instincts are the same: we want to love and we want to be loved, and the thought of either being taken away is, at best, painful; at worst, unbearable.

The manifestation of those two primal urges leads us into all sorts of difficult territory - desire, jealousy, insecurity, paranoia… I could go on - but when we lose love, it hauls us back to the heart of the matter: the very beating of existence, physically and emotionally, that defines us, independent of the social mores and other “stuff” we find ourselves heaping upon it to make life more difficult than it need be.

Because, as better people have said, in superior clichés from those I am managing, love is all. Corinthians 13 tells us everything that love should be, in its purest form, but it’s pretty unsustainable in the modern world. But, when the physical body of a loved relative or friend departs, one is left with that very spirit, the essence, of love - at least, if you have been lucky in the people with whom you have encountered it. 

We may delude ourselves in sugar-coating the less than savory aspects; we may hide our grievances and guilt in shadows we might not wish to revisit for many years; we may lie to ourselves and others about life, death, and everything in between. But in that moment of departure and what it entails, we become as babies once more, especially when that death is one’s mother: the being who brought you into the world; the person who, literally, gave you life. You really are on your own now; the umbilical cord severed.

At the end of a very difficult year, this wasn’t quite how I imagined wishing everyone a happy 2021, because, in these unpredictable times, we really can’t gauge anything, least of all happiness. So, I’m going to change it slightly and wish you all a Loving New Year. 

For me, 2020 was a year of some great stuff, some less than good, to say the least (most people would say the same, I suspect); a time in which I learnt a lot and, I hope, shared knowledge I have been lucky to glean, with others. It was a year in which I was often great fun and, I have to be honest, at times a right pain in the ass. A year in which my friends loved me for the former and forgave me for the latter - and in which I, too, loved and forgave them for both, too. It was a year in which we had to give everyone a wide berth.

Because we’re human beings. That’s what we do. We mess up and we repair. None of us sets out to do a bad job, and the fact that we end up doing so at times doesn’t really matter; it’s how we put it right that counts. And the people who love us know that. 

And so, my sincere condolences to my friends who have lost people dear to them this year, and my thoughts and positive vibes go out to the many people I know face ongoing difficulties with treatment for their various illnesses; you are braver than I could ever be.

I am blessed having you all in my life, and thank you for your patience, kindness, acceptance of my eccentricities (even though, to me, I am the most normal person on the planet, obviously). In this year, more than any other, thank you for the music of laughter.

I send you all the love I have for the year ahead. 

Read more at jacistephen.com

   

   

   


Saturday, January 2, 2021

I Could Have Prommed All Night - Why I Loved The Prom


For the first hour, I was hooked. When a movie has the title I’m Thinking of Ending Things, and the opening voiceover begins with a character saying precisely that, you’re kind of interested. I made it to a little over half time when, quite frankly, I was thinking of ending things. 

The road trip taken by boyfriend and girlfriend Lucy (Jessie Buckley) and Jake (Jesse Plemons) seemed longer than the road. I doubt there’s a road in the world capable of accommodating the conversation that went down in that vehicle (Wordsworth? Really? You could walk the length of the Great Wall of China and not finish reciting his work). I just about managed the journey to the Jake’s parents’ house in the middle of nowhere; but having to endure it all the way back again? 

I won’t even try to explain the movie, but if you’re into pervy killer caretakers, suspicious basements, Alzheimer’s, snowstorms, and the musical Oklahoma! then this one’s definitely for you. Enjoy.

For me, though, it was a huge relief to turn to The Prom, and it made me glad I had decided not to end things. The arsenic is back on the top shelf, although I have heard it might have to come back down for Nomadland which, although apparently wonderful, has put all my friends on suicide watch. I may yet want to end things.

But back to The Prom. Based on the Broadway musical and directed by Ryan Murphy, it’s a real feelgood movie from Netflix. I loved it. Uplifting, joyous, great music, fabulous performances; it was just what I needed to bring me down from the ledge - not just from the previous movie, but from 2020 as a whole.

Its detractors have criticized the straight James Corden being cast as a gay man; others have criticized the fact that his character, Barry, is a stereotypical gay – a theatrical actor (pronounce that as act-awwwwww), with a skill for transforming lesbians into swans through his make-up and costume skills.

Personally, I love Corden’s performance and found it no less stereotypical than every other character in the movie, not to mention the plot; that’s the point. It’s a play within a play – the four leads are like the Rude Mechanicals of Shakespeare’s A Midsummer Night’s Dream: they are all stereotypical and, as actors, stepping out of their normal roles into the second play that is someone else’s story. They are performers who, within the second play, find themselves reflecting on the reality (albeit a false one) they have created in the main drama of their lives. 

There’s the egotistical, handsome Trent (Andrew Rannells), the girl-who-never-gets-the-part Angie (Nicole Kidman), and the selfish, ego-driven diva, Dee Dee (Meryl Streep, in magnificent form). Stereotypes, all. And all the more glorious for it.  

As for a straight man not being allowed to play a gay… for gawd’s sake. Corden is a huge talent, whose singing and dancing is in top form, and he also brings depth to the character’s evolvement. 

It’s called acting. Straights should be allowed to play gays without being admonished for it; anyone should be allowed to play anyone if they are right for the part. Where do we go next, if this ridiculous logic continues to prevail? Ban the likes of Hugh Jackman from something like The Greatest Showman because he’s never run a circus? Consign the entire 10 years of Frasier to the scrapheap because gay David Hyde Pierce played Niles, a straight man sexually obsessed with a British woman? 

So, I am not going to feel guilty for loving The Prom, on either front.

Stereotypes exist in real life; that doesn’t mean they can’t, or shouldn’t be, represented. Well over 50% of my friends are gay men and, yes, a lot of them working in the acting profession and/or theatre are stereotypical (so are a lot of my straight friends, come to that). So what? 

And actors act. It’s what they’re paid to do and what we pay to watch. There’s a truly wonderful speech that Dee Dee’s love interest, Tom (Keegan-Michael Key), delivers about exactly that, and it delivers the third dimension: the person outside the play, watching the play within the play, and that character inadvertently becomes the director of both, and dictates both outcomes – he’s the hero (and he’s black – there you go!). It’s a very clever device and one that has been overlooked amid the outrage.  

So, until you can find me a man who can turn water into wine, who would absolutely nail the miracle performing part of the audition, I’m happy to carry on seeing anyone play Jesus. Yes, even James Corden. 

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