Sunday, July 12, 2015

Champagne Dreams, Beer Money

Extract from my book

CHAMPAGNE DREAMS

“Think champagne and you’ll drink champagne; think beer and you’ll drink beer.”

That’s what my mother told me. So I blame her for my champagne expenditure on a beer income. 

Nowhere did the advice prove more lethal than in Puerto Banus, just outside Marbella in southern Spain, where I had just bought an apartment. Sunkissed Villas might not have paid me, but I had fallen in love with that part of the Spanish coast. Although I had moved out of my beloved Paris apartment, my finances were stretched as I had purchased a much bigger house in Cardiff, but I figured that with two salaries from two newspapers, I could afford it.
   
It was the summer of 2006, and, holidaying with my friend Elizabeth in Puerto Banus, I hooked up with top businessman and Dragons’ Den TV star Theo Paphitis and his family, who had become friends.
   
Not only did Theo have an apartment close by, he was buying a boat that was going to be moored almost right below my terrace. I calculated that I would pretty much be able to get from there to Theo’s deck in a short hop, skip and jump. Then Theo decided to buy boat number two, which was even bigger than boat number one. He signed the deal with the boatyard representative over a pizza at Picasso’s in the port, and I was impressed with Theo’s negotiating skills, which quickly made me see why he was very, very rich, and I was comparatively very, very poor. Alas, my admiration did not extend to my developing the foresight to see that I was about to become a great deal poorer.
   
Elizabeth and I took up Theo’s invitation to join him on the boat, and as we left the port behind and took to the waves of the Mediterranean, I started to feel a tincy bit rich myself. With the wind in my hair, I was enjoying a millionaire lifestyle and it wasn’t costing me a penny. When we said our goodbyes at the end of the trip, Elizabeth and I decided to celebrate our new lifestyle over supper.
   
That’s when it happened.
   
I didn’t even want to go on a shopping spree. Walking along the port, I happily passed Dolce and Gabbana with barely a glance; likewise, Versace and Jean Paul Gauthier.
   
Then I saw IT.
   
Love at first sight. I had never believed it existed, but here it was, in the window of Chloe: an exquisite, Sixties style, cream, silk shift dress laden with glittering discs, beads and baubles that caught the sun, drawing me uncontrollably towards it. Simple, yet beautiful, the shiny silver and gold reminding me of my ballroom dancing youth and the 10,000 sequins my mother sewed on my dress prior to my partner and I becoming Old Tyme juvenile champions at Butlin’s Minehead. Suddenly, I was Lulu, Sandie Shaw and Cilla Black, all rolled into one.
   
I doubted they had it in my size, but upon entering the shop and enquiring, the assistant Claudia headed for the dummy in the window quicker than you could say Boom Bang-a-Bang. When I saw the price tag of 10,722 euros, I decided that it should stay in the window. Too late. Claudia had it whipped off the dummy and onto me in less time than it takes a dragon in the Den to say the series’ catchphrase: “I’m out.” Which is what I should have been. Outa there. Would have been, had it not been for the drink.
   
They gave me a glass of champagne; it was what all the designer dress shops in the port did for potential customers/suckers. My glass was being topped up when I emerged from the dressing room in the Chloe dress. I thought I looked stunning in it. I thought I looked better than the model wearing it in the film at the Chloe fashion show that Claudia showed me on the computer. 

Gushing about my beauty, Claudia informed me that there were only six of these dresses in the world. That was what sealed the deal. I felt like a million dollars, which suddenly made 10,722 euros seem like a bargain. It made the cost of the shoes that I had to buy go with the dress look like cheapskate Primark. Then there was the bag, which cost almost as much as the shoes. I owned butter dishes that were bigger than the bag. But I whipped out my exclusive black French credit card and, while Claudia waited for her machine to devour it, I secretly prayed for the computer to say no.
   
Not a chance. I left the shop carrying my designer frock, bag and shoes and kept telling myself I was really, really pleased with my purchase. After another drink, I had convinced myself. In fact, I was delirious with excitement.
   
The next thing I remember was waking up: Oh, my God: WHAT HAVE I DONE? I wasn’t Theo! He acquired his riches by buying up flailing companies and turning their fortunes around. He had just sold La Senza for £100 million, which was a lot of Chloe dresses (9,326, to be precise), but my bank balance was showing that I could barely afford a bead.
  
Why didn’t you stop me? I asked Elizabeth. I can’t afford it! I have no money! I’ve just bought a new house and wouldn’t pay three grand for fitted bookcases that I needed and now I’m out buying a curtain with beads on that will be soaked in red wine within three minutes of my wearing it! Oh, God, what am I going to do!
   
Depression set in. And I don’t mean just a bit down. I mean black, terrible, suicidal despair. The only words that came to mind were Conrad’s from Heart of Darkness: The horror, the horror. Now I knew what he meant. I felt physically sick. The dress had to go back. The problem was whether they would take it. I spent the morning on the net, reading up about statutory rights and credit card rules and regulations. In the UK, I noted, there was a five-day cooling off period following a credit card transaction, but was that for online purchases or in-store, and would it apply to other European countries? I rang my cousin Simon, who had lived in Switzerland for 15 years and would probably know about European trading laws. He said to be sure that this was what I wanted: what if Chloe accepted the dress as a returned item and then I wanted it back again and had to tell them that the deal was back on?
   
I took the dress back to the shop, trembling with terror. I couldn’t stop shaking. Then I started crying, telling them that I had made a terrible, terrible mistake. Leo, who had plied me with the champagne the day before, looked crestfallen. Danielle, the manager, said she could probably offer a credit note, but that Chloe’s policy was a non-refundable one. I cried some more, spouted some things about credit card law, and Claudia said she would call the Paris main office to see what she could do.
   
In the meantime, I called the credit card company and, having used my euro French card, spoke to a very nice man called Jean Luc, who sounded thrilled to be talking to a lunatic who had 11,000 euros to throw around on frocks.
   
He rang back to say that the shop was under no obligation to refund my money and that French credit law was different from that in the UK; Claudia rang back to say that Spanish credit law was not the same as in France or the UK. I felt like the United Kingdom entry in the Eurovision Song Contest, as neighbouring states closed ranks and ganged up to award us nul points.
   
I was again offered a credit note but worked out that I would be dead by the time I found enough things that I liked to cover the cost. I rang Theo to ask his advice. “Find a rich husband before the IOU comes in,” he said. So I texted Theo’s co-panellist Peter Jones, but he never texted back, and I wasn’t sure whether his divorce would come through by the time the bailiffs came to take away my new bookcases (I had decided I was going to have them, after all: they suddenly seemed a snip compared to the dress).
   
I pondered throwing the dress into the Med and claiming on the credit card insurance. One friend thought I could try to claw some of the money back by doing a game show, the climax of which would be a studio audience having to decide “Take the credit!” or “Take the dress!” Another friend told me to wear it in a dodgy part of south London, where it would be ripped off my back within seconds and then I could claim on the insurance genuinely. I decided that the best thing to do would be to write about it and exploit it, until I earned enough to cover the cost. 

One article would be tracking down the other five people in the world who owned the thing. I thought I might contact Okay! Magazine and throw a party for the dress, at which stars of stage and screen would be queuing up, eager to touch the hemline of my garment in the hope of its greatness rubbing off on them. Or a competition to name it, the proceeds from which would go to paying off my credit card bill, or posting my bail when I was thrown into the debtors’ prison. And when I was done with it, I could sell it to the Victoria and Albert Museum.
   
It was my mother’s reaction I dreaded the most, but she was quite philosophical. She told me how, when she was newly married, she and Dad went out to buy a fridge and made the mistake of stopping off at a hostelry for a sherry or two and came back with a stereo system the size of a coffin. Other reactions to my purchase varied from the “How shallow” to the “How stupid”, to the “Good on you” (Simon Cowell said “We’ve all done it”, but I felt that doing it in his income bracket wasn’t quite the same thing). 

My own vacillated between all three, breaking out into a cold sweat of “Please God, don’t let it be true” one minute, to “What’s done is done” the next. When I published an article about my purchase, news of my insanity quickly spread. I started to get calls from people enquiring not after my health, but after the dress. It was as if they had struck up a relationship with the thing, and I pondered writing a regular column about my own feelings towards it, like those women do who are always banging on about their latest marriage or divorce. I was stuck with it so decided to show it off at a big charity ball at the five-star Puento Romano hotel in Marbella.
   
I prepared for it as I would a first date. Legs and underarms shaved, hair cut and coloured, new Clinique make-up, expensive tights – nothing was too much trouble for the great work of art (it didn’t seem so expensive when looked at in that light) I had purchased. When the moment came to put the dress on, I held my breath. I had to. The bloody thing got stuck. I kid you not. Every bead and bauble tangled with another and I was wandering around my apartment trying to find my way to the mirror by radar. It took me half an hour to manoeuvre my way back out of it, by which time hair and make-up both needed re-doing. I finally managed to get my top half into the dress, but then the bottom became tangled in my 25 euro tights, a rip-off that had to become literally that, when the beads massacred them, too. I made it to the ball feeling like Cinderella a minute before midnight and with my dress already looking like hers did a minute after.
   
“Your hem’s come down,” was one guest’s first reaction, before calling for safety pins. We went to the rest room to begin the reconstruction, and I decided to use the toilet while I was there. Another big mistake. I had to call for help when, in pulling down my pants, the beads became all tangled again. Doubled over, with my chest hooked to my thighs, after I relieved myself I had to ask a woman to pull my pants back up. Then began the long process of untangling again.
   
I returned to the ball, where I was afraid to eat a morsel or drink a drop, for fear of causing any more damage. The jewels and beads were falling like sweat every time I moved. Surely this wasn’t right. You couldn’t sell someone a dress for seven and a half grand and have it fall apart on its first outing.
   
I returned to Chloe the next day, where the best I was offered was a repair job. “But it’s unwearable!” I shrieked, only to be told that this was “not a practical dress” and, as haute couture (it wasn’t; they clearly did not even know the meaning of the phrase), was not meant to be worn to parties. Besides, Kylie Minogue had no trouble wearing hers, they said. “She can afford to throw it away after wearing it once!” I yelled. But they had sold “lots of this dress” and no one else had brought it back. “Eh? What do you mean, lots? I thought there were only six in the world!”
   
My depression following the day of purchase had turned to hysteria and anger. I shouted. I screamed. I sobbed. I employed a French lawyer. Finally, they agreed to give me a credit note.
   
Getting my designer dress might have given me a few hours’ pleasure, but only when it was in the bag. Never was it more true to say that all that glisters is not gold. My Chloe dress may have come with a gold price-tag, but frankly it wasn’t worth its weight in tissue paper.


OTHER THINGS I LIKE TO BUY

1. Saxophone. £1200. Reasoning:-
   a) I used to play the recorder and clarinet and fancied something bigger.
   b) I thought I would look cool, like Lisa Simpson.
   c) I had half an hour before my train was due to leave and decided it was fate’s way of telling me to go to the music store.
   Times played: every day for three weeks. Twice in subsequent 15 years.
   Tunes learned: first line of Italian love song, Arrivederci Roma.

2. Upright Clavinova. £3500. Reasoning:-
   a) Went out to buy £60 keyboard as aid to singing Arrivederci Roma. Seemed silly not to stretch to whole keyboard.
   b) Seemed even sillier, having stretched finances to purchase whole keyboard, not to stretch to in-built hard drive, complete with 66 instruments.
   c) Delivery was free with Clavinovas, but not keyboards.
   Times played: 8 hours a day for 1 week. Never, during subsequent 15 years.
   Recordings made on hard drive: 4, by pianist friend.
   Tunes learned: I Dreamed a Dream, miming fingers to friend’s recording.

3. Spanish apartment. 595,000 euros. Deposit placed on credit card: 7000 euros. Reasoning:-
   a) It would be cheaper to buy an apartment than pay for a 5 star Spanish hotel every week for the next 55 years.
   b) There are very good flights from Cardiff to Malaga, and I had a Priority Pass to the VIP lounge at each end.
   c) You can never go wrong with property.
   Times visited: 8 times during the first six months, quickly reduced to three times a year.
   Lessons learned: property is a dud investment when the market crashes and the pound goes into freefall against the euro. And they stop flights from Cardiff to Malaga.

4. Diamond tennis bracelet. 11,000 euros. Reasoning:
   a) Turkish fortune-teller told me I was going to come into a lot of money.
   b) Turkish fortune-teller told me I would spend a lot of money before due inheritance arrived.
   c) I deserved to buy myself something special for my 50th birthday.
   Times worn: constantly, apart from day lost in waste paper basket and, subsequently, stolen.
   Lessons learned: don’t believe everything you read in the stars, and wait until your birthday comes around or you will ruin your mother’s surprise gift of a tennis bracelet.

5. Ballantyne’s Christmas wine selection. £2200. Reasoning:-
   a) It would be rude not to buy a case of everything tried at the store’s festive tasting.
   b) I saved £100 by buying in bulk.
   c) 50 people might drop by unannounced on Christmas Eve.
   Number of bottles consumed between Christmas Eve and Boxing Day: 10.
   New Year’s Resolution: drink 12 boxes of wine in garage to make room for car currently on driveway.

6. Paris rental apartment. 12,000 euros – one month’s deposit, one month’s rent. 36,000 euros – 6 months’ bank bond required by landlord. Reasoning:-
   a) The bank offered me a £40,000 overdraft.
   b) I had lived in Paris in another life.
   c) The central heating was making a funny humming noise in my Cardiff house.
   Time spent in apartment: 7 months.
   Time spent trying to claw back money from French bank and utilities companies: terminal.

7. Squash racket, balls, headband, skirt, top, 12 lessons. £700 of student grant. Reasoning:-
   a) Went to buy badminton racket, but everything was reduced in the squash section.
   b) The mature student selling the equipment and lessons was very attractive.
   c) I kept losing at badminton.
   Lessons taken: 1, following short-lived relationship with squash teacher.
   Squash games played in 30 years: 4.

8. Alfa Romeo. £4000. Reasoning:-
   a) I hadn’t owned a car in 25 years.
   b) I was contemplating giving up drinking and would finally be sober enough to get behind the wheel.
   c) The sellers were moving to Dubai and it was a bargain.
   Number of miles driven in 2 years: 327.
   Number of times battery charged owing to lack of use: 14.

9. Artist. £6000. Reasoning:-
   a) His workshop had been destroyed in a fire.
   b) I would see a return on my investment when the Tate Modern held his exhibition.
   c) I was making a valuable contribution to the arts.
   Time spent waiting to see artist’s new workshop: 7 years, and counting.
   Time spent regretting stupidity: daily.

10. Los Angeles. £100,000+. Reasoning:-
    a) I was nearly 50 and had never lived in the States.
    b) If I sat looking at the Hollywood sign long enough, that Oscar would be in my hand.
    c) It was where I belonged. That’s what the man running the writing course said. The man with whom I was completely obsessed.
    Time spent in Los Angeles: six years.
    Additional unforeseen costs of Los Angeles: additional rental, to stay on to sue ex-landlord over non-refunded deposit; trip to New Zealand for the rugby World Cup; flights home every three weeks owing to homesickness.

Thursday, June 25, 2015

The Trouble with Ice-Cream

This afternoon, I’ve been going mad. 

Every day, at lunchtime, the ice-cream van arrives close by and all I can hear is that damned jingle playing the same tune over and over. In my youth, it was Greensleeves; now, it’s something I don’t even recognise, but it’s certainly something that jolly little men called Mr Tonibell or Mr Softee or Mr Whippee don’t mind hearing a million times over. 

Every time I hear it, however, I want to run out and punch their lights out (why could they never spell their names properly, anyway? That was another thing that always bugged me).
   
I have a weird relationship with ice-cream. I know that my first was in the Kardomah café in South Wales in Cardiff, the closest city to Newport, where I spent my early childhood.
   
A trip to Cardiff was a big event. Mum used to buy coffee from the Kardomah and, having chosen her beans, would wait to have them ground to dust while my brother Nigel and I ate ice cream from a small steel tray and with a tiny metal spoon. I can still taste that metal and feel the joy of the wafer as it sculpted the perfect dome to a melting pulp. I remember the sadness of loss, swirling the last of the warm, liquid yellow, that meant it was time to go home.
   
Ice-cream was a big treat, but it came with its stresses. My parents couldn’t always afford to buy it, especially at the seaside, where everything was extortionate. On the rare occasions when they could, I craved the choc-ice but had to make do with an Orange Maid lollipop. When I had my first choc-ice, it was a bit of a letdown, anyway. 

First, the chocolate melted, and the crisp exterior was quickly ruined by the ice cream seeping through the cracks. Before you were halfway through, your hands were juggling chocolate, cream, sweat and sand – and, often, tears, when you dropped the whole thing onto the beach when the soggy mess slipped from your hand. 
   
As a child who used to constantly come in from the garden, holding out my grubby hands and moaning “Dirt, dirt” and demanding that I be washed, the whole choc-ice thing was never going to work for me.
   
I didn’t have money to spend on ice-cream during my school years. I could just about stretch to a Tip Top – a long piece of flavoured ice that was wrapped in such strong polythene, you had to bite the top off to get at the stick, often resulting in the whole thing then leaping out of its packaging and onto the pavement. 

My mum made me very healthy packed lunches (a Penguin chocolate biscuit was her only nod to junk food) and I used to look on with envy at my friends who could not only buy chips from the Ranch fish shop in Bridgend (where we had moved), but follow it up with a mountainous swirl of white ice cream on a lollipop. How I craved that disgusting brick.
   
The doyen of ice-cream, though, was the 99 – an ice cream cone with a flake of chocolate stuck in the top; or, even better, with two flakes. I bought my first one out of my student grant when I went to university (there were books as well, but I remember this as being the first moment I realised what it felt like to have your own money and do what you liked with it). They had to be Cadbury’s flakes, too.
   
What I liked about cones was that they were easy constructions. All the melting goo would seep nicely through the cone and you would never have to get your hands dirty. But they don’t make cones like they used to. In my youth, they were the size of buckets; then, along came posh people like Haagen-Dazs with their sugar cones, designer clothed cones et al, and wiped out another chunk of my childhood.
   
I actually like Haagen-Dazs – but heck, it’s expensive. And sometimes, it’s too soft. I like my ice cream just so: not so hard that it looks as impenetrable as Iceland at Christmas; nor so soft that I might as well have bought it in a can and drunk it.
   
In fact, so fussy have I become about ice cream that I bought myself an ice cream maker. If anything stayed still long enough, I froze it. But now it lies in the back of a cupboard because, surely, the thing about ice cream is that it’s supposed to be a treat, not a chore: something that someone does for you. Your only task is to enjoy it - and not in that ghastly way that American TV characters do by diving into it head first every time a crisis beckons.
   
Like everything else, though, it melts into nothingness; it’s actually the one food that is the perfect metaphor for life. It looks promising and appetising at the start, but you don’t have to dig very far below the surface to know that it doesn’t take much for it to disappear.
   
But hey, folks, that’s okay. There will always be more ice-cream. Just as there will always be more life. 

Now, excuse me while I go to practise my Greensleeves jingle. 

Miss Jackee has a job to do.  

   

Wednesday, June 24, 2015

Just Life

Yet another crisis week. 

The usual thing: a time in which I crawl into my shell, pull myself off all social networking sites, send texts and e-mails I don’t mean, throw the baby out with the bath water, because life just seems easier without having to deal with emotions. Or people.
   
A time in which I remember being nine years old and opening the cream tea-set I had been given as a birthday present and wishing that all my party guests would quickly go so that I could play with it.
   
A time in which we went to the sea-side as a family and the greatest joy was my first sighting of the slim silver of sea in the distance; the smell of salt; the rush of warm sand between my toes.
   
But, as Ecclesiastes 3 said much better than anyone ever did: There is a time for everything.
   
Not many people know that I was once a Baptist lay preacher. At one point in my life, I was going to enter the church full time. Now, I regard that period as an emotional stumbling block, as I do most religions (Buddhism remains, for me, the only logical belief), but especially Christianity. I wholeheartedly embrace the notion that people can believe whatever they want to believe to enable them to get by; the man in the sky is just not for me (do watch Ricky Gervais’s masterpiece The Invention of Lying; there is no better movie about the deception of belief).
   
So, where do you go in a crisis without religion as your backer? Ironically, there are still great lessons to be learned from the Bible (Be nice to people! DUH!), but to me they are philosophical ones, which is why I found myself turning again to the Book of Ecclesiastes after thinking that this was another moment that I like to call “just life”: There is a time to weep and a time to laugh, and this was just another weepy time.
   
It’s a bit of a strange passage, though, nonetheless. I’m not happy about the “time to kill and a time to heal” bit, nor the “time for war and a time for peace” – killing and war never having been high on my agenda. I also would never embrace the idea that there is “a time to search and a time to give up”, because I am not, nor will ever be, one of life’s giver-uppers.
   
The existential crisis of mankind (to me – you can choose your own) is the battle between what we want and what we can’t have: our expectations, versus those expectations not being met. Our expectations (personal or professional) come from our parenting and society at large; their not being met from our frustration at not being able to fulfil them, for whatever reason. Call me Socrates (without the beard; and the suicide bit, obviously).
   
Let’s look more closely at a few more of these statements. 

“There is a time to be born and a time to die”: the former is easy; the latter, horrendous (which is why people need the construct of religion and the notion of “everlasting life” to help them deal with the thing they cannot acknowledge as fact i.e. That’s it, mate. Its over. Nada).
   
A time to plant and a time to uproot. I have spent most of my adult life uprooting. For most people, their planting is marriage and children, and I would not deny anyone the joy that those two things can undoubtedly bring. I just never met the right seeds; just managed to purchase some awesome hoes.
   
A time to mourn and a time to dance. Yes, I get that. Just try telling that to the Irish at a wake.
   
A time to embrace and a time to refrain from embracing. Nope. Throw your arms around that guy while you can.
   
A time to tear and a time to mend. I have a tendency to self-destruct. It’s really a time I could do without.
   
A time to be silent and a time to speak. Yep. Usually that moment when you say “What do you mean, the bar’s closing? It’s only 4am.” That’s when you really need to shut the eff up.
   
A time to love and a time to hate. No, there is never a time to hate.
   
One of the things I have learned during my weeks of existential crisis (excuse the melodrama; I’m a writer. Live with it) is that it is always a time to love. I have, as always, been overwhelmed by the outpourings of love and support, many of them from complete strangers, on social networking. I haven’t gone into the details of what brought the latest meltdown into being, and nobody probed me for the reasons why.
   
I don’t know myself. The actions I take during these times are symptoms, not causes. I don’t believe in the man in the sky, but maybe, as Ecclesiastes says, we are tested so that we may see we are “like the animals”. In the end: “Everything is meaningless. All go to the same place; all come from dust, and to dust all return.”
   
So, in that brief time we have from dust to dust, we might as well enjoy love. Yes, love. 

There is always a time to love.
  

     

Tuesday, June 9, 2015

A Funny Thing Happened on the Way to the Mirror

A funny thing happened on the way to the mirror. 

A wrinkle here, a grey hair there, a little extra weight around my hips, a sagging of the eyeylids. Yes, a very funny thing happened on the way to the mirror.

got older.
  
And I hadn’t even noticed.
   
I pulled out boxes of old photos to try to recognise exactly when and where that change took place. Eighteen, with the bouffant hairdo my mother constructed on my head that made me look 55? Twenty-one, in the brown crimplene dress, when my grandmother came to tea to celebrate, and my mother’s only concern was whether our menstruating poodle Emma would soil the Maskreys suite and/or worse, my grandmother’s “Sunday best”?
   
Did the stress start to show when I moved to London in the early Eighties, living on State benefits and having to steal chicken drumsticks from events I gatecrashed? Or that first doomed love affair . . . and the next, and the next, and the next?
   
In which part of my ageing face lies the grief of losing my father, my dear cousin Sarah, and the many, many friends who died way before they should have? Are these new wrinkles the result of my own stresses over the past few years, largely financial, but marks that also bear the indentation of those close to me who have suffered far worse in terms of health?
   
I see the things I should have done: paths wrongly taken, things I should have said and didn’t, people I should have loved more, people I should have loved less. Paintings and music I should have enjoyed, books from which I should have learned, walks my legs should have taken, both literally and metaphorically, when other steps didn’t work out.
   
Yes, a funny thing happened on the way to the mirror.
   
But it’s a house not just of one mirror, but many; and they are, quite simply, life. If you stare straight into one, it’s possible to see only the things you have lost - but stare into your house of funny mirrors and see the full picture.
   
I see the laughter of my father in my eyes, and also my mother, who is still with me. I see every wrinkle and line of a life that, despite its up and downs, is better than most could ever conceive of. Behind every mark of sorrow is a line of resurrection – not in the Biblical sense, but in the sense that I know I came through, and, if I have to, will do again. It hasn’t always been easy, and it might never be again, but all our faces, that are the reflection of our spirit, hold the hope and the knowledge that all is possible.
   
And I see my faults. Oh, yes, and they are many. Times I should not have got my tits out for the lads (oh, dear lord, yes); moments when I was insensitive to the points of view of others; jealousy, childishness, obsessive behaviour. Every which way I turn, another distorted vision of myself looks me in the eye. And d’you know what? That’s okay: because it’s all part of a very complex package that’s called being human. The mirror – or, rather, mirrors, never lie. But what really, really matters?
   
During the past few years, I have spent an inordinate amount of time worrying about whether I will lose my house; but in that time also, I have seen family and friends suffer both in their own health and in those of others close to them, in seemingly insurmountable circumstances. I have lost dear friends through illness. I am watching others endure pain because they don’t know what the future holds. Our health really is everything, and no bricks and mortar in the world can compete with the joy of a living heartbeat.
   
We live in a society in which people try to hold back the ageing process in so many ways: they look in the mirror and don’t like what they see. One young woman – beautiful, as it happens - died this week as a result of a liposuction procedure, which, weeks later, was deemed to have been the cause of the respiratory arrest that allegedly led to her death.
   
We spend too long looking in the mirror: looking to that which we can no longer change and looking to that over which we have no control. It is, ironically, though (and I am speaking only for myself), that lack of control I have come to embrace. We have none, and surrender is the best therapy.
   
So, while, today, I acknowledge that a funny thing happened on the way to the mirror, an altogether better and more extraordinary thing, happened: walking away from it. 

At the end of the day, we all end up as broken glass anyway. 

Let the reflections do what they will. 

And let’s have fun with them while we can.
    
  

   

Monday, May 18, 2015

Dr Who Celebrations with Steven Moffat - watch the live interview here https://youtu.be/SGsGD9m3mIk

Dr Who. New York. Cardiff. 

They are not words I ever imagined I would be uttering in the same sentence. But on Thursday night, on Broadway in New York, I found myself on stage saying those very words.
   
I wasn’t in a show. I was actually in the Institute of Technology’s Auditorium on Broadway and, despite having a microphone in my hand, I was managing to resist bursting into song.
   
I was in New York interviewing Steven Moffat: showrunner, executive producer and chief writer of Dr Who, which, in March this year, celebrated its 10 year revival. In 2010, Moffat took over from Russell T Davies, who had resurrected the series in 2005. And on 21st May, it will be 10 years since Moffat’s first Dr Who script, The Empty Child, starring Christopher Eccleston as the Doctor, hit the screen (to many, it remains the scariest episode of all time). Courtesy of the Cardiff Business Council and Bafta Cymru, the auditorium was packed with an eclectic mix of die-hard fans, both US and UK.
   
‘Before Dr Who, I had never been to Wales,’ Moffat confessed, but declared passion for the revitalisation of the TV and film industries, particularly among young people. ‘It used to be the case that if you wanted to do something in either, you had to go to London. But now, there is whole generation who don’t have to do that. And the future is always more interesting than the past – because we don’t know how it ends.’
   
Moffat is one of the easiest interviewees one could have – and yet, ironically, one of the toughest. He speaks so easily and with such fluidity, it would be easy to be lulled into a false sense of security. He cares passionately about the Doctor and is fiercely protective about the show; he is also very, very focused about what really matters.
   
We are talking about criticism he has received about his female characters who, to some, are perceived as weak, and needing a macho man to “rescue” them. ‘These are strong women,’ he argues. ‘If anyone needs rescuing, it’s the Doctor. As for “macho” - Matt Baker, David Tennant? Really?’ (At this, he does a really hilarious, rather camp Dr Who action that is all 12 Doctors rolled into one).
   
Moffat’s background in comedy has, he feels, given him a good grounding in writing drama. ‘In comedy, you have to be doing something all the time. Have we done anything is always the question. Everything is about the next laugh. And the change in comedy has been that the audience now knows how it works. In the kind of comedy we do in Dr Who, you need to surprise the audience: do something you didn’t tell them you were going to do.’
   
It was a childhood dream of Moffat to work on Dr Who, and he still emanates an innocent glow when he talks about working on the show – a show that has come a long way from the one that, back in 1963, was conceived as an educational programme to explore scientific ideas and famous moments in history – ‘Well that lasted all of five minutes,’ he says.   
   
His latest episode, Listen, is an extraordinary piece of work, with no monsters and just three characters. It’s a beautiful, lyrical piece that focuses on childhood fears – what’s under the bed. The truth is, like the Doctor’s “demons”, as Moffat calls them (oh yes, and ‘The Doctor’s also mad’), those things still lurk within all our lives. It’s a brilliant metaphor in the writing of someone whose subtlety often escapes people seeking an agenda.
   
Having just signed up for another year of Dr Who, and with the ongoing success of Sherlock, Moffat’s place in the Tardis of broadcasting in Wales looks secure. And for that, we really can be very grateful.

You can check out the interview at https://youtu.be/SGsGD9m3mIk
  

   

Saturday, May 9, 2015

It Would Never Happen in LA - How to Avoid Becoming a New York Corpse

Every so often, I go into shutdown mode.

It’s usually because someone has upset me, and my first reaction is to come off Twitter and Facebook and go into hibernation. Although I don’t mind drama in my own life and even thrive on it, I don’t like it in other people’s and, when they involve me in things that don’t concern me and cause trouble, I clam up. I stay indoors, watch wall to wall Law and Order: SVU on the telly, and sit pondering why people have to be so horrible.
   
I keep forgetting how much this upsets people. They worry. When you spend a ridiculous amount of time on social networking, as I do, disappearing from it altogether makes people fear the worst; it’s all they can do to stop themselves sending out search parties when they see your locked down Facebook page.
   
But I don’t like confrontation. People might find that odd for someone who has spent over 30 years of their life in journalism and broadcasting. But I’m lucky enough, in that world, to have had very little confrontation. Coming from the UK, where satire dissipates aggression in many areas of the media, I’ve been lucky enough not to become involved in huge arguments. We discuss, debate, laugh; we take what we call “the piss” out of each other. I know people who do thrive on more heated confrontation; I just never have. A raised voice can reduce me to tears.
   
Following the latest upset, my friends have been trying to coax me from my apartment for a week, to no avail. Last night, one said that he was going out with a great group of people, one of whom was very keen to meet me (I have reviewed her on TV). They were at a bar I didn’t want to go to and so I arranged to meet them at an Irish bar close to Times Square.
   
When you’ve been hiding from humanity for a week, people can seem very scary. Especially very large sports fans watching an ice hockey game sitting on the stool next to you. Let’s call him Gerald, to try to bring the tension down a bit.
   
Gosh, was Gerald a fan. An ex ice hockey player himself, he filled me in on the gruesome details of the joy of feeling ice shards on his face, and blades and whatnot . . . He told me who he was supporting, but I had to ask whether it was the men in white or the men in blue. It was the blue ones. 

“Who are the others?” I asked. “Fucking ISIS! Bunch of beheading bastards.” To be honest, “Washington” would have sufficed.
   
The men in white scored. “PUSSIES, PUSSIES! THE WHOLE FUCKING LOT OF YOU!” yelled Gerald.
   
I find the linguistic retardation difficult to take in New York. I don’t mind swearing and, indeed, have been known to partake of the odd expletive myself. But in LA, it just doesn’t happen on the same scale. I have been years without hearing so much as a “Damn”. But in New York, everything goes, and usually when a lump like Gerald is sitting in front of a TV screen.
   
So, back to Gerald and his blood pressure. The next great event was when the men in blue scored. I kid you not: Gerald picked up his chair and threw it. He also shouted a lot of things about cosmonauts that I didn’t understand. To me, it was just a few men on ice waving sticks. I had to move when Gerald’s next chair threatened to knock me out.
   
When my friends arrived, we moved on to Rudy’s, a dive bar in Hell’s Kitchen where the drinks are cheap and they give away hot dogs. We had a lovely time and it was good to meet some UK journalists who were in town. It was like finding my own kind on Mars. When they said goodbye to me on the corner of 43rd and 9th, there was a guy in front of me on the sidewalk of 43rd who I thought started to walk more slowly. I slowed my pace, too. Then he slipped behind a truck where I saw him lurking. I turned quickly to go back to 9th

“You fucking bitch! Whore! Fuck you, bitch!” I heard, as even more expletives followed me up the street.
   
Having lived in a lot of major cities, I consider myself pretty streetwise and I am used to being out late at night by myself. But call it gut instinct, this just didn’t feel right. I returned to Rudy’s, where one of the security staff walked me halfway down 44th until I felt I was safe.
   
Then, I nearly got killed. There were still double figures left on the lights on the crossing, but a yellow cab came speeding up at such a pace, I froze. There was a screech of brakes and a yell of “Fuck you!” (That one was from me, though). I was an inch of being wiped out – and I am not exaggerating.
   
I hate the car versus pedestrian laws in LA and NY (I have no idea about the other states). It’s very easy for cars in the UK: red, you stop, green you go. No “If I fancy turning left I’m allowed to even if the light is red” kind of nonsense.

   
So, I’ve decided never to go out again (again); it’s much simpler that way, even though I have to deal with the stresses of being indoors. Today, some organ sounding thing 27 floors down in the street was playing Oh Come All Ye Faithful, shortly followed by Rudolph the Red Nosed Reindeer. 

Maybe that taxi did run me down and I’ve been in a coma for seven months. 

If that’s the case, Happy Christmas, everyone. 

Excuse me for not sending you a card.

MAY DAY MAY DAY - US TV'S SEASONAL CULL

Would Amanda/Emily (Emily VanCamp) ever get to smile for longer than five seconds without resorting to jaw reconstructive surgery? 

Would Nolan (Gabriel Mann) ever meet a man who knew how to take his underpants off? 

Would Margaux (Karine Vanasse) ever meet more than one journalist in her media empire? 

Would Victoria (Madeleine Stowe) totally morph into The Addams Family’s Morticia?
   
These, and many other questions, occupied me throughout the four seasons of Revenge, which has finally succumbed to the cruel world of broadcasting euthanasia.
   
The writing was on the cards for the ABC show halfway through season three, when the actors started to appear as confused as viewers were as to what the hell was going on. One could only imagine the horror they felt when their eyes first alighted upon each new script, wondering how many more expressions of staring into the middle distance they could muster, while their brains tried to compute the machinations of the plot.
   
The last episode airs tomorrow night in the US (the UK has five weeks to go), and I have to confess that, for all its silliness, I’ll miss it.
   
ABC has also cancelled Forever, starring my fellow Welshman Ioan Gruffudd. I’ll miss that, too, but it’s not hard to see where it went wrong as viewing figures tumbled.
   
The basis premise was that Dr Henry Morgan solves crimes using medical knowledge he has gleaned over 200 years. Each time he dies, for some never quite explained reason he turns up in water, only to start life all over again – hence his living forever.
   
The series fell apart when they dropped the explanation from the start of each episode. If you didn’t know the basic premise, you would have been baffled as to why Abe (Judd Hirsch) was calling Henry “Dad” (Henry was his father in another life), or, even, what the flashbacks were to a young Henry. Revenge always set out its stall at the start of each episode, whereas Forever ignored a really important piece of dramatic advice – Don’t hide the ball.
   
May is a difficult time for US shows as they wait to hear whether the axe is going to fall. I’m sorry to see NBC’s Bad Judge go, because I found Kate Walsh in the lead very funny. It was a neat script, but I suspect caved in to complaints from the legal profession that it portrayed judges in a bad light. Hey, it’s a comedy, guys!
   
The Mysteries of Laura, another NBC show and an adaptation of the Spanish drama Los misterios de Laura, has survived. After a brief shaky start, when it didn’t seem to know quite what it was, it quickly settled into a very funny, quirky, feel-good, must-see show, in no small part down to the always compelling Debra Messing as Detective Laura Diamond.
   
NBC has also saved The Blacklist. I have no idea what is going on anymore, but I could watch James Spader turning up in a hat with no explanation whatsoever for the rest of my life. He is one of my favourite actors of all time.
   
Raymond “Red” Reddington is a fine creation, and viewers root for him no matter whose brains, or how many brains, he blows out (again, for seemingly no reason whatsoever). All you need to know is that there are a lot of bad people in the world who are afraid of Mr Spader in a hat and he wipes them out in order to help the FBI. 

Oh, yes. And he has some connection to the only officer he will work with, Elizabeth Keen (Megan Boone), whose job it is to stare quizzically at Mr Spader in a hat and save him from the bad people as well. Maybe all we’ll ultimately discover is that she is his milliner and has just been trying to pin him down for a fitting for new head attire.
   
The Americans will be returning to FX for a fourth season – another must-see show starring Matthew Rhys (fellow Welshman, also – we are coming, people, and are already among you!) and Keri Russell as two Soviet Intelligence agents seemingly living a normal suburban life in the USA as Philip and Elizabeth Jennings.
   
It’s an extraordinary show (created and produced by former CIA officer Joe Weisberg), with even more twists and turns than Revenge, but all of them totally believable. The wigs bother me a little because, in a dim light, you could be forgiven for thinking you had alighted upon a canine rescue centre. 

It’s hard to concentrate on the sex scenes when Philip is required to sleep with other women when under cover, as I just fear for the poor pooch falling from his head into the woman’s foo foo. How either of them would emerge looking half decent without engaging the help of a topiarist is anybody’s guess.
   
The jury’s still out on CBS’s The Good Wife, starring Julianna Margulies as lawyer Alicia Florrick, but with slipping viewing figures, I am a little nervous. It’s still a great show, but it hasn’t been the same since the death of Will Gardner (Josh Charles). The Will they/Won’t they get together? that was so central to the plot, was removed in an instant and left a hole they still haven’t quite been able to fill. A bit like . . . No, no jokes, please.
   
But it still has the extraordinary Christine Baranski (Diane Lockhart) and, at its heart, a moral core that, every week (as well as overall), delivers a valuable message without being patronising or preachy.
   
If, with Revenge, it’s axed, Sunday nights as I know them will be over. I might have to start going to church. Or the pub. 

Funnily enough, the jury’s not out on that score.