The whole coke scene has never been something that has interested me, but if the papers are to be believed, LA is under a veritable storm of the stuff.
It’s been reported, for instance, that Charlie Sheen went on the three-day bender with five porn stars and was witnessed diving into a pile of coke the size of a tennis ball.
I’m a bit of an innocent in these matters, so is that a lot of coke or not very much? Does the tennis ball go in one nostril, or is it split between two (a sort of Deuce!)?
One report said that he took it in a pipe. Can you fit a tennis ball in a pipe?
If it’s consumed a few grains (is that what it’s called, or granules, like gravy?) at a time, wouldn’t he still be there, with a teaspoon?
And why has it made his teeth fall out? Maybe he’s chomping a bit too hard on the tennis balls.
Like I said. I’m an innocent in these things.
Now, to the five porn stars. Five! Isn’t that a bit greedy? And surely once you’ve seen/had one porn star, you’ve seen/had them all. One suggested that Charlie was on a suicide mission; well, if anything fatal had occurred and the woman then confessed to having thought that, yet did nothing to prevent it, I’d say that she was on a manslaughter mission – and one without much man’s laughter (geddit?), to boot.
The porn stars worry me even more than the tennis ball. Were they of the kind provided by the madam who now claims Charlie likes fetishism and spanking? How do those fetishes manifest themselves? Do the women Charlie allegedly hires take it in turns? There’s not that much to hang on to on a bloke, so let’s say that one gets the ears, one the mouth, one the bum, and one the penis, what does the fifth one do?
Maybe she’s the ball girl, running back and fore to the bathroom to get more tennis balls. Or maybe the fifth one gets to do nasal sex when there’s not a tennis ball blocking the airways of the only orifice not being taken up by the other four "stars".
As you can tell, I have given over much valuable thinking time to these matters, and as I am totally addicted to Two and a Half Men (although not in a tennis ball kind of way), I can’t reconcile the brilliance of Charlie Sheen as an actor with the mess that seems to be constantly paraded before us in the papers, even though his character bears more than a little similarity to his real life persona.
I actually feel very sorry for him. Yes, people choose to take drugs, drink, sleep around, and embark on all sorts of destructive behaviour; but the reasons why they do so are complex and vary hugely from individual to individual.
He has been criticised for choosing not to go into rehab, but be treated at home, and I say good on him. Rehab hasn’t worked for him; it doesn’t for many people – you only have to witness the number of celebrities being readmitted time after time to see that. It hasn’t worked for Sheen five times now.
If you crashed your car five times, wouldn’t you stop and think . . . Hmm, maybe this car thing’s not for me. Maybe I should take a bus.
Rehab is big here. Huge. Big subject, big business. It’s part of their tourist industry. On one Hollywood tour, the open-top bus stops outside Michael Jackson’s house and plays the 911 call that was made to the emergency services on the day it is claimed he either took or was administered a fatal overdose. Pretty horrific, by any standards, but even more so when there is a man facing trial for his alleged part in the star’s death.
There is a ghoulish sense of impending doom about Sheen, but to me, being looked after in his own home might do him a darn sight more good than being wheeled off to yet another 12 step programme that, in my experience, has worked for only a very small minority – and there is one argument that says that of the small percentage it works for, they would, by the law of averages with any illness, have recovered on their own.
That’s for other people to argue, and if something works for you when you’re rock bottom, then all well and good; but there is not one pill for every ailment, and if Sheen now wants to try something different, he deserves support, not more criticism for having chosen a different route. He is a huge talent and I wish him well in his recovery and hope finds peace.
The whole thing has certainly put me on my guard here. The next time somebody calls out “Anyone for tennis?” I’m going to think twice.
“New balls, please”? No, thanks.
Saturday, February 5, 2011
Tuesday, January 11, 2011
A Matter Of Degrees 1/11/11
This is a sentence I never thought I would write: I am freezing in LA.
Having spent two weeks completely buried under snow and, for the most part, unable to leave my house in the UK, I was looking forward to returning to blue skies and sunshine. But apart from three days, the first two weeks of the new year here have been grey, miserable, sometimes wet and, yes, cold.
I am spectacularly ill equipped for it, too. All my sweaters are in a drawer back home (well, six drawers, to be precise – I never risk anything in wet Wales), and as I can’t afford to stock up on any clothes here, I have to make do with layers of skimpy T-shirts and thin cotton cardigans if my nose is not to grow icicles.
Just as the UK is never prepared for snowfall, so LA is unable to cope with unpredictable cold. In bars and restaurants, they have the air con turned up to maximum heat to compensate for the dip in temperature, and then, just as everyone is practically down to their undies to cope with the heat, they turn it off, and you are once more shivering and have to start layering up again.
I spent two hours in Soho House last week, wrapping and unwrapping myself every five minutes like a one-woman, human version of Pass the Parcel. Down by the beach, the bar at the end of the pier is, ironically, freezing indoors, and absolutely scorching outside, with the overhead heaters on full.
My cheeks were so hot at the weekend, you could have taken a couple of slices off them and passed me off as tapas.
Brits are renowned for their willingness to talk about the weather at great length, irrespective of what the temperature is. It’s always too hot, too cold, too wet, too grey.
Forget the possibility of having to swear allegiance to the crown, if you want to come into Britain: what MPs really need to be discussing is people’s ability to merge according to their weather chatting skills.
I just never expected to meet the same enthusiasm in LA, but people here are just as bad. When I first arrived, in April 2009, it was always hot, but that didn’t stop the locals from commenting on the fact.
“Lovely day,” said every taxi driver, wherever I went. Yes, I know, I wanted to scream; it bloody well always is.
Now, though, with this smattering of cold, wet weather, and a not very good summer (incredibly, the UK was warmer), the citizens of Los Angeles talk about heat as if it is an alien, the like of which they may never see again in their lifetime.
Now, when I get into a cab when the sun is out, the drivers sigh, commenting “It’s a lovely day”, as they gaze longingly at the sky, knowing that something, someone up there, is going to steal that golden orb from right under their noses anytime soon.
I used to take the fine weather for granted here, but not anymore. Now, on the rare days when the sun is out and the skies pure blue, I walk down to the ocean to watch the sun going down over the Pacific.
It’s an exquisite sunset, but then sunsets always are – and they’re all different. The first time I came to LA over 20 years ago, it was the sunsets over the Pacific that struck me most clearly and that I remember even now.
Golden, to red, to orange, to yellow and, finally, to the fine sliver of intense white light that tells you it’s all over for another day.
It is nothing short of miraculous.
It’s that last line of light that always brings me to tears. Sunrise and sunset have been metaphors for so much in great art throughout the centuries, and it’s easy to see why. Light fades, light returns; people and experiences come and go; we lose, we gain; our hearts burst with light, they fade in the shadows.
There were shadows, again, in 2010. One friend committed suicide in January, another in December. Several friends were diagnosed with cancer. Family members fell sick. Across the world, tragedies continued to unfold, and still do.
In Britain, on Christmas Day, the body of 25 year-old landscape architect Joanne Yeates was found in Bristol; she had been strangled. This week, in Tucson, Arizona, six people died in a shooting, among them a nine year old girl. Elsewhere, people are starving, dying of thirst, hunger, Aids. Every day, everywhere, the sun goes down.
How do we cope? How does the human spirit sustain such losses, such tragedy, such hardship?
We are extraordinary creations, whose desire to survive, despite all odds against us, gives us strength. We sleep, in order to wake, and we still, incredibly, pull through suffering.
We are as miraculous as the sun and, like the sun, we know that, come the morning, and against all our expectations, we will rise again.
It's the cliche of dawn, but no less true, or incredible, for being so.
Having spent two weeks completely buried under snow and, for the most part, unable to leave my house in the UK, I was looking forward to returning to blue skies and sunshine. But apart from three days, the first two weeks of the new year here have been grey, miserable, sometimes wet and, yes, cold.
I am spectacularly ill equipped for it, too. All my sweaters are in a drawer back home (well, six drawers, to be precise – I never risk anything in wet Wales), and as I can’t afford to stock up on any clothes here, I have to make do with layers of skimpy T-shirts and thin cotton cardigans if my nose is not to grow icicles.
Just as the UK is never prepared for snowfall, so LA is unable to cope with unpredictable cold. In bars and restaurants, they have the air con turned up to maximum heat to compensate for the dip in temperature, and then, just as everyone is practically down to their undies to cope with the heat, they turn it off, and you are once more shivering and have to start layering up again.
I spent two hours in Soho House last week, wrapping and unwrapping myself every five minutes like a one-woman, human version of Pass the Parcel. Down by the beach, the bar at the end of the pier is, ironically, freezing indoors, and absolutely scorching outside, with the overhead heaters on full.
My cheeks were so hot at the weekend, you could have taken a couple of slices off them and passed me off as tapas.
Brits are renowned for their willingness to talk about the weather at great length, irrespective of what the temperature is. It’s always too hot, too cold, too wet, too grey.
Forget the possibility of having to swear allegiance to the crown, if you want to come into Britain: what MPs really need to be discussing is people’s ability to merge according to their weather chatting skills.
I just never expected to meet the same enthusiasm in LA, but people here are just as bad. When I first arrived, in April 2009, it was always hot, but that didn’t stop the locals from commenting on the fact.
“Lovely day,” said every taxi driver, wherever I went. Yes, I know, I wanted to scream; it bloody well always is.
Now, though, with this smattering of cold, wet weather, and a not very good summer (incredibly, the UK was warmer), the citizens of Los Angeles talk about heat as if it is an alien, the like of which they may never see again in their lifetime.
Now, when I get into a cab when the sun is out, the drivers sigh, commenting “It’s a lovely day”, as they gaze longingly at the sky, knowing that something, someone up there, is going to steal that golden orb from right under their noses anytime soon.
I used to take the fine weather for granted here, but not anymore. Now, on the rare days when the sun is out and the skies pure blue, I walk down to the ocean to watch the sun going down over the Pacific.
It’s an exquisite sunset, but then sunsets always are – and they’re all different. The first time I came to LA over 20 years ago, it was the sunsets over the Pacific that struck me most clearly and that I remember even now.
Golden, to red, to orange, to yellow and, finally, to the fine sliver of intense white light that tells you it’s all over for another day.
It is nothing short of miraculous.
It’s that last line of light that always brings me to tears. Sunrise and sunset have been metaphors for so much in great art throughout the centuries, and it’s easy to see why. Light fades, light returns; people and experiences come and go; we lose, we gain; our hearts burst with light, they fade in the shadows.
There were shadows, again, in 2010. One friend committed suicide in January, another in December. Several friends were diagnosed with cancer. Family members fell sick. Across the world, tragedies continued to unfold, and still do.
In Britain, on Christmas Day, the body of 25 year-old landscape architect Joanne Yeates was found in Bristol; she had been strangled. This week, in Tucson, Arizona, six people died in a shooting, among them a nine year old girl. Elsewhere, people are starving, dying of thirst, hunger, Aids. Every day, everywhere, the sun goes down.
How do we cope? How does the human spirit sustain such losses, such tragedy, such hardship?
We are extraordinary creations, whose desire to survive, despite all odds against us, gives us strength. We sleep, in order to wake, and we still, incredibly, pull through suffering.
We are as miraculous as the sun and, like the sun, we know that, come the morning, and against all our expectations, we will rise again.
It's the cliche of dawn, but no less true, or incredible, for being so.
Sunday, January 2, 2011
Mine's A Snowball 1/2/2011
The Elevator Pitch is one of the main things I learned from my mentor and friend, Blake Snyder, who taught me so much before he suddenly died in August 2009.
There are days when his death still stuns me, but there are as many days when I remember things he said and, at the end of another year, recall with pleasure the things I would not have done, the people I would never have met, had he not encouraged me to come here.
I might never have discovered The Elevator Pitch. Essentially, you have to imagine yourself between floors in an elevator and, in those few seconds, be able to “sell” your movie idea to the important person standing beside you who can make it.
I’m not often in elevators, and the luggage-loaded people in the Heathrow Express lift (I still can’t get used to calling it by its American name) never look in the mood to hear anything other than the ping that tells them they have arrived at their destination floor. It’s therefore hard for me to assess precisely how many seconds you actually have for an Elevator Pitch.
Are you allowed to press the emergency button to pitch a longer movie? If the elevator breaks down, can you justify pitching the sequel, too? It can become a complicated metaphor if you really put your mind to it.
But flying back to the UK for Christmas, I managed to put the EP theory into practice. Sitting in the Air New Zealand lounge, I bumped into Paul Abbott, the brilliant creator and writer of some of the UK’s greatest ever TV shows – State of Play, Clocking Off, Shameless (the US version launches on January 9th).
I know Paul through my work as a TV critic and also know him to be one of the few people in the industry who is hugely encouraging of new writers. So, after inviting him and his colleague to join my table that the lovely Thierry of Air New Zealand always reserves for me in the lounge, I set about pitching my idea. Well, several to be precise, but each of them wrapped up in EP speak, with title and logline, just as I had learned in Blake’s class and from his great screenwriting book, Save the Cat!
Paul responded instantly and very positively to my own personal favourite, perhaps forgetting that there were 11 hours airborne in which I could well be expected to expand upon the EP at great length, write most of it and even get to perform a couple of scenes before touchdown at Heathrow.
Had we been travelling Virgin, with the bar on board, I would doubtless have dragged him to it to do precisely that, so he had one thing on his side in that we were travelling ANZ.
He wasn’t getting away that easily, though, and I continued my EP over a drink at Heathrow and, I have to confess, in subsequent e-mails. It’s not the first time that Paul has been helpful and encouraging to me in relation to my writing, and his kindness and ability to see to the heart of the matter, not only in his own work, but others’, is truly inspiring.
It is also exceptional.
Writers in particular are rarely very encouraging to those they often perceive as their rivals, and, in these tough times, they are even less so. I was struck again, on returning to the UK, how the spirit of negativity increasingly pervades the TV and film industry and, while things are also tough in the US, how much more positive people generally are.
I know that I am living in the heart of the industry, but the constant talk of ideas, scripts and deals really does make you feel more upbeat about possibilities.
Yes, there is a lot of bullshit, as everyone says, but, as I have noted before: as bullshit goes, it’s the best in the world.
It’s bullshit that currently produces astonishingly good TV series. Desperate Housewives, Brothers and Sisters, White Collar, Psych, Life Unexpected, CSI, Law and Order – I really could go on and on. And although I’m less of a fan of the current batch of Hollywood movies, there is still enough variety to provide welcome escape from Britain’s obsession with Royals and toffs.
My experience back in the UK wasn’t helped this time with being snowed in for the entire two weeks I was back. I never even saw my car because it had turned into an igloo; any attempt to venture out meant risking life and limb. And then, just as the snow started to melt, freezing fog closed in, so then I couldn’t even see the igloo.
The only place not suffering from any kind of frost was the First Great Western train, which, between Cardiff and London on my way back to Heathrow, they miraculously had no ice at the buffet.
I have a suggestion: get the people who run our incompetent trains to tell everyone else how to get rid of ice when the rest of the country is ten degrees under.
I was too cold to make any snowmen, but made it to a neighbour’s house where I was offered a real Snowball (advocaat, soda, lemonade). I hadn’t had one for about 30 years and rather enjoyed it.
When I Googled it to check the ingredients, I also happened upon the term “snowballing”, which, I discovered, has nothing to do with Frosty and his eyes made out of coal, but someone taking a man’s semen into his or her mouth and passing it orally to the other – and a term not exclusive to the homosexual community anymore, according to Wikipedia.
I can’t wait to get into my next elevator to start pitching that one.
It’ll give a whole new meaning to White Christmas.
There are days when his death still stuns me, but there are as many days when I remember things he said and, at the end of another year, recall with pleasure the things I would not have done, the people I would never have met, had he not encouraged me to come here.
I might never have discovered The Elevator Pitch. Essentially, you have to imagine yourself between floors in an elevator and, in those few seconds, be able to “sell” your movie idea to the important person standing beside you who can make it.
I’m not often in elevators, and the luggage-loaded people in the Heathrow Express lift (I still can’t get used to calling it by its American name) never look in the mood to hear anything other than the ping that tells them they have arrived at their destination floor. It’s therefore hard for me to assess precisely how many seconds you actually have for an Elevator Pitch.
Are you allowed to press the emergency button to pitch a longer movie? If the elevator breaks down, can you justify pitching the sequel, too? It can become a complicated metaphor if you really put your mind to it.
But flying back to the UK for Christmas, I managed to put the EP theory into practice. Sitting in the Air New Zealand lounge, I bumped into Paul Abbott, the brilliant creator and writer of some of the UK’s greatest ever TV shows – State of Play, Clocking Off, Shameless (the US version launches on January 9th).
I know Paul through my work as a TV critic and also know him to be one of the few people in the industry who is hugely encouraging of new writers. So, after inviting him and his colleague to join my table that the lovely Thierry of Air New Zealand always reserves for me in the lounge, I set about pitching my idea. Well, several to be precise, but each of them wrapped up in EP speak, with title and logline, just as I had learned in Blake’s class and from his great screenwriting book, Save the Cat!
Paul responded instantly and very positively to my own personal favourite, perhaps forgetting that there were 11 hours airborne in which I could well be expected to expand upon the EP at great length, write most of it and even get to perform a couple of scenes before touchdown at Heathrow.
Had we been travelling Virgin, with the bar on board, I would doubtless have dragged him to it to do precisely that, so he had one thing on his side in that we were travelling ANZ.
He wasn’t getting away that easily, though, and I continued my EP over a drink at Heathrow and, I have to confess, in subsequent e-mails. It’s not the first time that Paul has been helpful and encouraging to me in relation to my writing, and his kindness and ability to see to the heart of the matter, not only in his own work, but others’, is truly inspiring.
It is also exceptional.
Writers in particular are rarely very encouraging to those they often perceive as their rivals, and, in these tough times, they are even less so. I was struck again, on returning to the UK, how the spirit of negativity increasingly pervades the TV and film industry and, while things are also tough in the US, how much more positive people generally are.
I know that I am living in the heart of the industry, but the constant talk of ideas, scripts and deals really does make you feel more upbeat about possibilities.
Yes, there is a lot of bullshit, as everyone says, but, as I have noted before: as bullshit goes, it’s the best in the world.
It’s bullshit that currently produces astonishingly good TV series. Desperate Housewives, Brothers and Sisters, White Collar, Psych, Life Unexpected, CSI, Law and Order – I really could go on and on. And although I’m less of a fan of the current batch of Hollywood movies, there is still enough variety to provide welcome escape from Britain’s obsession with Royals and toffs.
My experience back in the UK wasn’t helped this time with being snowed in for the entire two weeks I was back. I never even saw my car because it had turned into an igloo; any attempt to venture out meant risking life and limb. And then, just as the snow started to melt, freezing fog closed in, so then I couldn’t even see the igloo.
The only place not suffering from any kind of frost was the First Great Western train, which, between Cardiff and London on my way back to Heathrow, they miraculously had no ice at the buffet.
I have a suggestion: get the people who run our incompetent trains to tell everyone else how to get rid of ice when the rest of the country is ten degrees under.
I was too cold to make any snowmen, but made it to a neighbour’s house where I was offered a real Snowball (advocaat, soda, lemonade). I hadn’t had one for about 30 years and rather enjoyed it.
When I Googled it to check the ingredients, I also happened upon the term “snowballing”, which, I discovered, has nothing to do with Frosty and his eyes made out of coal, but someone taking a man’s semen into his or her mouth and passing it orally to the other – and a term not exclusive to the homosexual community anymore, according to Wikipedia.
I can’t wait to get into my next elevator to start pitching that one.
It’ll give a whole new meaning to White Christmas.
Sunday, November 28, 2010
RIP Lester and Gavin 11/28/2010
I was walking back from the gym on Friday afternoon, when I received a call from a friend in the UK to tell me of the death of an old journalist friend, Lester Middlehurst.
I had known Lester for over 25 years, both at our time on Today newspaper and, later, the Daily Mail. He was always great fun to be around and a brilliant show business journalist; his interviews were second to none.
On Tuesday, Lester took an overdose and was found the next day. He died two days later.
The circumstances surrounding what led him to kill himself will doubtless emerge, but I remember Lester as someone who brought a great deal of colour to the world of journalism.
He was gay at a time when it was less easy to be openly so, and he was terrified when, in the week he started work on the Mail, Private Eye published a story about him. He had nothing to worry about, as his talent was far too great to tarnish, and he remained on the paper for many years.
It’s been a sad week, because on Wednesday I received a call from another friend to say that the producer of Emmerdale, Gavin Blyth, was very ill. His partner, Suzy, had posted on Facebook asking if anyone knew of a registrar who could get to Leeds infirmary within the hour to marry her and Gavin.
On Thursday, she announced that she was Mrs Blyth; on Friday, she was a widow and single mother.
Gavin, too, was an extremely talented man, who had risen through the ranks of press PR to running a hugely successful soap. Ratings went up with him at the helm after January 2009, and the brilliant storyline of young Aaron Livesy, struggling with his sexuality, was one of the highlights of the past year and recognised with awards.
Being 3000 miles away from home, it was again Facebook that made it possible for me to make contact with others grieving for these two men, dead at a relatively young age (Gavin was only 41, a father of three, the youngest being just one year old).
Suzy wrote beautifully on the site about her love for her husband, and the responses from friends and colleagues bore tribute to what was clearly an extraordinary and hugely liked man.
It’s again made me question the wisdom of spending time away from family and friends back in the UK, because, cliché though it is, we really don’t know what is around the next corner. But then again, to live one’s life in fear as to what might be, is no way to exist – or, rather, it is only existing; it is not living.
Better to die living than to live dying.
Hearing of suffering and death back home nevertheless reinforces feelings of helplessness. When my good friend Angharad committed suicide in January this year, I stood on Canon Drive in Beverly Hills, sobbing on the phone to one of her sisters, who assured me that nothing was to be gained by my leaping on a plane and going home. This week, it was Santa Monica Boulevard that bore witness to my tears when I heard about Lester, and the instinct to rush to the airport was as strong.
Through Facebook, however, I have reconnected with many friends whom I have not heard from in some time, all of them recalling this vibrant journalist who, I suspect, never really believed in just how good he was, nor how much he was loved.
Tributes have also been flooding in for Gavin on Facebook, friends and colleagues have been Tweeting about their loss, and the social network again embraces our respective grieving with a remarkable sense of sharing in the experience of what it is like simply to be human, irrespective of what life throws at us, good or bad.
Some people gain comfort from believing that there is a world after this, in which our departed loved ones are looking down on us, smiling, just like us, at better times that have gone before; others take refuge in memory, holding on in thoughts to their personal stories; Facebook is a democracy in which either viewpoint, or, indeed, any other, in relation to death, can be heard.
Who knows what is right or wrong; what unites us all, however, is how damned hard it is to lose the people we love, and, in that connection, we must find comfort.
Only connect! That was the whole of her sermon.
Only connect the prose and the passion, and both will be exalted,
And human love will be seen at its height.
Live in fragments no longer.
Only connect…
~E.M. Forster, Howards End
I had known Lester for over 25 years, both at our time on Today newspaper and, later, the Daily Mail. He was always great fun to be around and a brilliant show business journalist; his interviews were second to none.
On Tuesday, Lester took an overdose and was found the next day. He died two days later.
The circumstances surrounding what led him to kill himself will doubtless emerge, but I remember Lester as someone who brought a great deal of colour to the world of journalism.
He was gay at a time when it was less easy to be openly so, and he was terrified when, in the week he started work on the Mail, Private Eye published a story about him. He had nothing to worry about, as his talent was far too great to tarnish, and he remained on the paper for many years.
It’s been a sad week, because on Wednesday I received a call from another friend to say that the producer of Emmerdale, Gavin Blyth, was very ill. His partner, Suzy, had posted on Facebook asking if anyone knew of a registrar who could get to Leeds infirmary within the hour to marry her and Gavin.
On Thursday, she announced that she was Mrs Blyth; on Friday, she was a widow and single mother.
Gavin, too, was an extremely talented man, who had risen through the ranks of press PR to running a hugely successful soap. Ratings went up with him at the helm after January 2009, and the brilliant storyline of young Aaron Livesy, struggling with his sexuality, was one of the highlights of the past year and recognised with awards.
Being 3000 miles away from home, it was again Facebook that made it possible for me to make contact with others grieving for these two men, dead at a relatively young age (Gavin was only 41, a father of three, the youngest being just one year old).
Suzy wrote beautifully on the site about her love for her husband, and the responses from friends and colleagues bore tribute to what was clearly an extraordinary and hugely liked man.
It’s again made me question the wisdom of spending time away from family and friends back in the UK, because, cliché though it is, we really don’t know what is around the next corner. But then again, to live one’s life in fear as to what might be, is no way to exist – or, rather, it is only existing; it is not living.
Better to die living than to live dying.
Hearing of suffering and death back home nevertheless reinforces feelings of helplessness. When my good friend Angharad committed suicide in January this year, I stood on Canon Drive in Beverly Hills, sobbing on the phone to one of her sisters, who assured me that nothing was to be gained by my leaping on a plane and going home. This week, it was Santa Monica Boulevard that bore witness to my tears when I heard about Lester, and the instinct to rush to the airport was as strong.
Through Facebook, however, I have reconnected with many friends whom I have not heard from in some time, all of them recalling this vibrant journalist who, I suspect, never really believed in just how good he was, nor how much he was loved.
Tributes have also been flooding in for Gavin on Facebook, friends and colleagues have been Tweeting about their loss, and the social network again embraces our respective grieving with a remarkable sense of sharing in the experience of what it is like simply to be human, irrespective of what life throws at us, good or bad.
Some people gain comfort from believing that there is a world after this, in which our departed loved ones are looking down on us, smiling, just like us, at better times that have gone before; others take refuge in memory, holding on in thoughts to their personal stories; Facebook is a democracy in which either viewpoint, or, indeed, any other, in relation to death, can be heard.
Who knows what is right or wrong; what unites us all, however, is how damned hard it is to lose the people we love, and, in that connection, we must find comfort.
Only connect! That was the whole of her sermon.
Only connect the prose and the passion, and both will be exalted,
And human love will be seen at its height.
Live in fragments no longer.
Only connect…
~E.M. Forster, Howards End
Friday, November 19, 2010
Pier Pressure in Santa Monica 11/19/10
Life in Santa Monica could not be more different from my life in Beverly Hills.
One day, a couple of months back, I was looking in shop windows, fantasising about what I might be able to afford if ever I won three lotteries in a row; the next, I was on Santa Monica pier, wondering whether to waste my money having my name engraved on a grain of rice.
The carbohydrate name engraving is one of the highlights of the pier, although I have never seen anyone queuing up to have it done. As my name is Jacqueline Margaret Stephen, I want to put the promise of the billboard to the test, just for the hell of it, but 25 letters on one grain? Even if it’s an extra length grain of Basmati, I’m just not optimistic.
Watching the sun go down at the end of the pier, however, is one of the joys of living closer to the beach; in Beverly Hills, the only thing that makes your jaw drop at close of day is your bar bill after just two glasses of wine. But every day in SM, there is breathtaking beauty.
The Pacific boasts one of the most moving, exquisite sunsets in the world, and while there is always sadness when the orange disc quickly disappears at the sea’s horizon (as quickly as my cash used to do in Beverly Hills), there is pleasure in the knowledge that it will rise again, equally wonderfully, in just a few hours.
It’s a metaphor I need at the moment.
I’ve always loved seaside towns, and fairgrounds in particular. There are only a couple of rides on SM pier (and not very spectacular ones, at that), but the place still resurrects the childhood memories I have of going to Barry Island or Porthcawl in South Wales: the excitement of rotating lights on the Big Wheel, the pink crinolines of candy floss, the smell of salt, and the sound of the incoming tide as the excitement of the day turned to a slight chill and the promise of a warm bed to come.
My new best friend on the pier is Zoltar, a very strange character in a turban, who sits in a glass case, beckoning you from afar.
“YOU THERE!” he calls, a little too loudly and personally for my liking. Upon approaching the glass, his cold blue eyes spin a little wildly, and he invites you to find out what the future holds.
I have paid a dollar twice to get Zoltar’s advice, hoping that he would tell me that my current stresses could all be solved without my having to resort to buying dolls and sticking pins in bodily parts that will make mincemeat of my real life enemies.
His first piece of advice was that I needed to get up earlier in the morning. On the day of this revelation, I had been up since 3.30am, working, so the only way I am going to get up any earlier is if I just don’t go to bed at all. Zoltar foresaw “a turn of events that will give you a great deal of happiness”, so maybe that lottery win is in the offing after all.
On my second visit to Zoltar, he declared that I had recently had to balance work and friends. He had this to say: “Better a person of humble standing who works for himself than one who plays the great person but lacks food on the table.”
As I am having trouble paying for any food on the table at all at the moment, yet still working for myself and trying to be humble, I think his philosophy has gone a bit awry. Humility hasn’t put a bean in my mouth. So stuff humility and stuff that McDonald’s down my throat.
There was a lot of other talk about branches and trees, but Zoltar is no Socrates, believe me. So, I’ve been taking solace, instead, from “Creating True Peace” by the Zen Buddhist monk, Thich Nhat Hanh. He’s rather good, and when you learn to pity people rather than feel anger towards them, his philosophy really works. Then I see another doll and a pin-cushion and I just have to buy it.
I’m also seeing a wider variety of people on the bus to the beach. This week, a creature (I have no idea if it was man, woman or alien) got on the 704 bus from SM, covered head to toe in flowing garments and wearing a headband and dark sunglasses. He/she/it proceeded to put a newspaper on a seat, before deciding that It wanted the Chinese man’s seat opposite; so It usurped the poor man, who willingly gave it up, not wanting to argue with the bizarre spectre.
All very strange. Naturally, as It was carrying a small bag, I was convinced that we were all about to be blown up, but luckily the creature alighted at SM/Wilshire, to wreak whatever hell It was planning on people who could afford to clean up afterwards.
Despite warnings about SM not being as safe as Beverly Hills, I still haven’t been approached once by the kind of weirdos who used to confront me on a regular basis in the supposedly more upmarket area. On Tuesday, shortly after midnight, the publicist Ronni Chasen was also gunned down in her car in Beverly Hills, as she returned from the premiere of Burlesque, so it just goes to show: you never can tell.
But for a dollar’s ride on the Big Blue Bus and a $9 frozen margarita, there are times when you just have to sit and take in the wonder that is nature, and these are moments to realise that the dickwits in your life are no force for the glorious otherness of the sublime.
Who knows how long we’ll have any of it.
That’s something not even Zoltar will be able to predict.
One day, a couple of months back, I was looking in shop windows, fantasising about what I might be able to afford if ever I won three lotteries in a row; the next, I was on Santa Monica pier, wondering whether to waste my money having my name engraved on a grain of rice.
The carbohydrate name engraving is one of the highlights of the pier, although I have never seen anyone queuing up to have it done. As my name is Jacqueline Margaret Stephen, I want to put the promise of the billboard to the test, just for the hell of it, but 25 letters on one grain? Even if it’s an extra length grain of Basmati, I’m just not optimistic.
Watching the sun go down at the end of the pier, however, is one of the joys of living closer to the beach; in Beverly Hills, the only thing that makes your jaw drop at close of day is your bar bill after just two glasses of wine. But every day in SM, there is breathtaking beauty.
The Pacific boasts one of the most moving, exquisite sunsets in the world, and while there is always sadness when the orange disc quickly disappears at the sea’s horizon (as quickly as my cash used to do in Beverly Hills), there is pleasure in the knowledge that it will rise again, equally wonderfully, in just a few hours.
It’s a metaphor I need at the moment.
I’ve always loved seaside towns, and fairgrounds in particular. There are only a couple of rides on SM pier (and not very spectacular ones, at that), but the place still resurrects the childhood memories I have of going to Barry Island or Porthcawl in South Wales: the excitement of rotating lights on the Big Wheel, the pink crinolines of candy floss, the smell of salt, and the sound of the incoming tide as the excitement of the day turned to a slight chill and the promise of a warm bed to come.
My new best friend on the pier is Zoltar, a very strange character in a turban, who sits in a glass case, beckoning you from afar.
“YOU THERE!” he calls, a little too loudly and personally for my liking. Upon approaching the glass, his cold blue eyes spin a little wildly, and he invites you to find out what the future holds.
I have paid a dollar twice to get Zoltar’s advice, hoping that he would tell me that my current stresses could all be solved without my having to resort to buying dolls and sticking pins in bodily parts that will make mincemeat of my real life enemies.
His first piece of advice was that I needed to get up earlier in the morning. On the day of this revelation, I had been up since 3.30am, working, so the only way I am going to get up any earlier is if I just don’t go to bed at all. Zoltar foresaw “a turn of events that will give you a great deal of happiness”, so maybe that lottery win is in the offing after all.
On my second visit to Zoltar, he declared that I had recently had to balance work and friends. He had this to say: “Better a person of humble standing who works for himself than one who plays the great person but lacks food on the table.”
As I am having trouble paying for any food on the table at all at the moment, yet still working for myself and trying to be humble, I think his philosophy has gone a bit awry. Humility hasn’t put a bean in my mouth. So stuff humility and stuff that McDonald’s down my throat.
There was a lot of other talk about branches and trees, but Zoltar is no Socrates, believe me. So, I’ve been taking solace, instead, from “Creating True Peace” by the Zen Buddhist monk, Thich Nhat Hanh. He’s rather good, and when you learn to pity people rather than feel anger towards them, his philosophy really works. Then I see another doll and a pin-cushion and I just have to buy it.
I’m also seeing a wider variety of people on the bus to the beach. This week, a creature (I have no idea if it was man, woman or alien) got on the 704 bus from SM, covered head to toe in flowing garments and wearing a headband and dark sunglasses. He/she/it proceeded to put a newspaper on a seat, before deciding that It wanted the Chinese man’s seat opposite; so It usurped the poor man, who willingly gave it up, not wanting to argue with the bizarre spectre.
All very strange. Naturally, as It was carrying a small bag, I was convinced that we were all about to be blown up, but luckily the creature alighted at SM/Wilshire, to wreak whatever hell It was planning on people who could afford to clean up afterwards.
Despite warnings about SM not being as safe as Beverly Hills, I still haven’t been approached once by the kind of weirdos who used to confront me on a regular basis in the supposedly more upmarket area. On Tuesday, shortly after midnight, the publicist Ronni Chasen was also gunned down in her car in Beverly Hills, as she returned from the premiere of Burlesque, so it just goes to show: you never can tell.
But for a dollar’s ride on the Big Blue Bus and a $9 frozen margarita, there are times when you just have to sit and take in the wonder that is nature, and these are moments to realise that the dickwits in your life are no force for the glorious otherness of the sublime.
Who knows how long we’ll have any of it.
That’s something not even Zoltar will be able to predict.
Saturday, October 23, 2010
Jet-Lagging Behind The Times 10/22/10
This jet-lag is a killer.
As I write, it is 7.30am in Spain, which means it is 10pm in LA. That is my excuse, anyway, for continuing to work my way through a giant pizza that I began about five hours ago, with the intention of consuming one small slice.
It is also my excuse for having watched two episodes of Murder She Wrote, one of Diagnosis Murder, and three episodes of Damages that I have already seen. Oh, yes, and a film called An Unexpected Love, in which a divorced woman falls for her lesbian boss. To be honest, the lesbian boss was a lot more attractive than the convertee, but I still had a cushion over my face when they hit the . . . well, it was the cushions, actually.
I have nothing against anyone being gay, but I’m just not keen on seeing full-on passion between anyone on TV. It’s not moral thing, it’s an artistic objection; I just don’t like the noises people make. It’s bad enough if you hook up with a slurper and grunter in your own life, without having to watch it all again in what should be the sanctity of your living room.
Since my arrival back in Europe, I’ve had a strange sensation of drifting in and out of consciousness. It’s been a very stressful few weeks in the US, which hasn’t helped, but after 11 hours in the sky, I feel like I did after the one and only time I had an anaesthetic: incredible highs, interspersed with mini comas. I fell asleep sitting upright at the computer last night. I wouldn’t have minded, had I awoken to find that my body had been taken over and I had composed the world’s greatest novel in my mental absence, but I didn’t; I came to, only to discover my chilli lodged in every orifice of my QWERTY and spent the next two hours picking it out with tweezers.
I am having trouble adjusting to what I can only call the RFE (Reverse Facebook Effect), too. Being eight hours behind in LA, I am used to making contact with my UK friends either at midnight when they are getting up for work in the morning, or at lunchtime my time, to coincide with their evening. In my mother’s case, that is more complicated, because I have to schedule my contact between her viewings of Home and Away, Neighbours, Emmerdale, Coronation Street and EastEnders during the week, and then X Factor and Strictly Come Dancing on Saturday and Sunday.
I finally managed to persuade her to get Sky Plus a couple of weeks ago, so that she could more easily record stuff and talk to me, or Facebook me at any time, without fear of missing anything. The problem is, she doesn’t trust it, terrified that every time she pauses a programme, she will miss out on the opportunity of seeing . . . Like I said, it’s just too complicated, and I fear that nothing short of moving back in with her after 35 years is going to solve the problem.
But I keep forgetting that I am now on European time and, because I have yet to adjust and am living my life in a semi-coma, I am contacting people at ridiculous hours. They’re just not very happy when I call at 6pm LA time, full of beans and thinking about my dinner, only to find that they have been asleep for at least two hours and now hate me for waking them up.
I don’t think I’m really helping myself on the readjustment, as my TV viewing remains pretty much as it is in the US; there really is nothing on UK TV, so I am just watching repeats of my favourite US shows on the cable channels – White Collar, Law and Order, CSI, Two and a Half Men etc. etc. – so it’s as if my brain is still telling me that I am in LA, because all the information associated with it is still being processed exactly as it was when I left.
Apart from my momentary coma lapses, I just can’t sleep. I’ve now been awake 24 hours, have written my Daily Mail column, plus an extra feature, and also started a new blog (which you should check out – http://jacinthesoapbox.blogspot.com.), which I am hoping will attract advertising. It’s mainly out of necessity, having been landed in the deep financial shit in the US - which also isn’t helping with the sleeping – but writing has always, and continues to be a great purger.
Barely a day goes by now when I am not reminded of Edward Bulmer Lytton’s 19th century play, Richelieu, in which he asserts that the pen is mightier than the sword. Doubtless there will come a time when people won’t know what a pen is, and plays will be full of lines like “The Facebook is mightier than the Tweet”, but by then I will hopefully be long gone.
It really is strange, though, coming back to the UK news. When I left LA, all talk was about the campaigns in the race to be the next governor of California (from what I understood, the ugly, fat bird doesn’t stand a chance – that’s about the extent of my interest); in the UK, most people have been able to talk of nothing other than whether Wayne Rooney was going to stay at Manchester United, or defect to Manchester City.
Just when it looked as if the ugly, fat guy didn’t stand a chance, he appeared to give up the fight, but now all is apparently well, and the young, thick bloke, who sleeps with prostitutes, is staying on at a vastly increased salary.
There’s maybe hope for Meg Whitman in LA yet.
As I write, it is 7.30am in Spain, which means it is 10pm in LA. That is my excuse, anyway, for continuing to work my way through a giant pizza that I began about five hours ago, with the intention of consuming one small slice.
It is also my excuse for having watched two episodes of Murder She Wrote, one of Diagnosis Murder, and three episodes of Damages that I have already seen. Oh, yes, and a film called An Unexpected Love, in which a divorced woman falls for her lesbian boss. To be honest, the lesbian boss was a lot more attractive than the convertee, but I still had a cushion over my face when they hit the . . . well, it was the cushions, actually.
I have nothing against anyone being gay, but I’m just not keen on seeing full-on passion between anyone on TV. It’s not moral thing, it’s an artistic objection; I just don’t like the noises people make. It’s bad enough if you hook up with a slurper and grunter in your own life, without having to watch it all again in what should be the sanctity of your living room.
Since my arrival back in Europe, I’ve had a strange sensation of drifting in and out of consciousness. It’s been a very stressful few weeks in the US, which hasn’t helped, but after 11 hours in the sky, I feel like I did after the one and only time I had an anaesthetic: incredible highs, interspersed with mini comas. I fell asleep sitting upright at the computer last night. I wouldn’t have minded, had I awoken to find that my body had been taken over and I had composed the world’s greatest novel in my mental absence, but I didn’t; I came to, only to discover my chilli lodged in every orifice of my QWERTY and spent the next two hours picking it out with tweezers.
I am having trouble adjusting to what I can only call the RFE (Reverse Facebook Effect), too. Being eight hours behind in LA, I am used to making contact with my UK friends either at midnight when they are getting up for work in the morning, or at lunchtime my time, to coincide with their evening. In my mother’s case, that is more complicated, because I have to schedule my contact between her viewings of Home and Away, Neighbours, Emmerdale, Coronation Street and EastEnders during the week, and then X Factor and Strictly Come Dancing on Saturday and Sunday.
I finally managed to persuade her to get Sky Plus a couple of weeks ago, so that she could more easily record stuff and talk to me, or Facebook me at any time, without fear of missing anything. The problem is, she doesn’t trust it, terrified that every time she pauses a programme, she will miss out on the opportunity of seeing . . . Like I said, it’s just too complicated, and I fear that nothing short of moving back in with her after 35 years is going to solve the problem.
But I keep forgetting that I am now on European time and, because I have yet to adjust and am living my life in a semi-coma, I am contacting people at ridiculous hours. They’re just not very happy when I call at 6pm LA time, full of beans and thinking about my dinner, only to find that they have been asleep for at least two hours and now hate me for waking them up.
I don’t think I’m really helping myself on the readjustment, as my TV viewing remains pretty much as it is in the US; there really is nothing on UK TV, so I am just watching repeats of my favourite US shows on the cable channels – White Collar, Law and Order, CSI, Two and a Half Men etc. etc. – so it’s as if my brain is still telling me that I am in LA, because all the information associated with it is still being processed exactly as it was when I left.
Apart from my momentary coma lapses, I just can’t sleep. I’ve now been awake 24 hours, have written my Daily Mail column, plus an extra feature, and also started a new blog (which you should check out – http://jacinthesoapbox.blogspot.com.), which I am hoping will attract advertising. It’s mainly out of necessity, having been landed in the deep financial shit in the US - which also isn’t helping with the sleeping – but writing has always, and continues to be a great purger.
Barely a day goes by now when I am not reminded of Edward Bulmer Lytton’s 19th century play, Richelieu, in which he asserts that the pen is mightier than the sword. Doubtless there will come a time when people won’t know what a pen is, and plays will be full of lines like “The Facebook is mightier than the Tweet”, but by then I will hopefully be long gone.
It really is strange, though, coming back to the UK news. When I left LA, all talk was about the campaigns in the race to be the next governor of California (from what I understood, the ugly, fat bird doesn’t stand a chance – that’s about the extent of my interest); in the UK, most people have been able to talk of nothing other than whether Wayne Rooney was going to stay at Manchester United, or defect to Manchester City.
Just when it looked as if the ugly, fat guy didn’t stand a chance, he appeared to give up the fight, but now all is apparently well, and the young, thick bloke, who sleeps with prostitutes, is staying on at a vastly increased salary.
There’s maybe hope for Meg Whitman in LA yet.
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